The film tells the story of Raquel, Rodolfo and Hernán, members of a brigade at the UNAM during the student movement in Mexico in 1968. Through their photographs, films and writings, we will know the history of the day that the army took the university and how their students united, shouted and never forgot.
Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.
Sound progression of two opposite landscapes.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
Leopoldo returns to his hometown motivated by the woman he was in love with 25 years ago. Simultaneously, Esteban, his teenage son, travels to the beach with his high school classmates, where he will strive to fit into a group that is hostile to him. Both must confront themselves to achieve what they believe will make them happy.
A man is on the run after taking revenge on his brother murder, but someone goes after him too
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
Two young people leave city life for the simplicity of life in the province. Unfortunately, the beach they are going to live next to is being polluted by a local factory.
Their men went to the North in search of their destiny, while they stayed.
Cristian comes back to his house because he forgot his work badge. At home, he finds Fernanda, his wife, having sex with somebody else. Cristian does not dare to deal with the situation, so he wanders around the city to avoid the event and decide what to do about it.
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
Commander Antonio organized two armed groups and was betrayed, tortured and imprisoned in a maximum security prison, where he took his case and defended himself.
Subjugated by power, the workers of a mining town organize clandestinely.
Effort to construct an audio-visual dance between the body of an 90-year old man and the body of his house, that has become an extension of himself.
A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.
Gerardo returns home with a pack of dogs barking in the background on a dark night. Inside his house he will find an altar with flowers and orange lights. Now it will be the silence that will guide his steps to find out what is on that altar.
Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.
Ángel, a small 5-year-old, watches as her mother takes care of her grandmother who is sick with terminal cancer. As the relationships around him start to deteriorate, Ángel tries to help her grandmother…
A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.
