Ireland, 1845. When a deadly fungus destroys potato crops throughout northern Europe, the most impoverished Irish population, whose main source of food is precisely the potato, suffers a cruel famine that will cause more than a million deaths and, in the following ten years, the mass exodus of more than two million people.
Two tramps wait for a man named Godot, but instead meet a pompous man and his stooped-over slave.
A reader tells a sad story to a listener, who only knocks in response.
The extraordinary story of the Irish War of Independence (1919-22): from the failed insurrection of 1916, the detailed account of how pro-independence Ireland rebuilt a movement whose efforts would eventually lead to the creation of a new nation. (Documentary film based on the miniseries of the same title.)
A powerful and stirring reinvention of the show, celebrated the world over for its Grammy Award-winning music and the thrilling energy and passion of its Irish and international dance.
This wonderfully entertaining dance documentary tells the extraordinary story of how Irish dance developed over centuries from a traditional peasant dance to a form that has taken the world by storm and is enjoyed by tens of millions. The film shows how Irish dance has both been influenced by and influenced the dance of many cultures and how it developed as an expression of resistance.
The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.
A young woman sits down in a chair. Only her mouth is visible as she begins to speak at a rapid clip, describing events that she insists did not really happen to her.
The first transatlantic communications cable, traversing the ocean floor from Valentia Island, County Kerry, to Newfoundland, Canada, 165 years ago was an 8 year endeavor that helped lay the foundation of the modern technology industry and explains the fragility of undersea cables today.
Two bureaucrats discuss the potential suicide of a man standing perfectly still in front of a door that opens into the night sky and a fatal drop.
With warmth, wit and honesty, Derry Girls' Jamie-Lee O'Donnell reflects on her childhood experiences and discovers what life's like for young people growing up in Derry today.
In Krapp's Last Tape, which was written in English in 1958, an old man reviews his life and assesses his predicament. We learn about him not from the 69-year-old man on stage, but from his 39-year-old self on the tape he chooses to listen to. On the 'awful occasion' of his birthday, Krapp was then and is now in the habit of reviewing the past year and 'separating the grain from the husks'. He isolates memories of value, fertility and nourishment to set against creeping death 'when all my dust has settled'.
An old blind beggar and an old cripple in a wheelchair meet on a desolate street corner. The latter proposes that the two form an alliance, but the men are not destined to get along together.
The camera swoops down on a circular area, seemingly suspended in space. It is filled with medical waste and other trash. A labored exhalation is heard. Then it stops. Then it starts again, culminating in a windy, dying sigh.
An old woman in a rocking chair listens to a disembodied voice (her own) that recounts her life and that of her mother's. When the voice stops, she calls for more.
A hot, thirsty man in the desert is tormented when the things he needs drop from the sky only to disappear again or hover out of his reach.
An autocratic Director (Harold Pinter) and his Assistant (Rebecca Pidgeon) put the final touches to the last scene of some kind of dramatic presentation, which consists entirely of a man (John Gielgud) standing still onstage.
An adaptation of Samuel Beckett's absurdist drama. An ordinary woman lives her humdrum life half-buried in a pile of dirt; her husband is partially visible behind her. She goes through her daily routines, ever hopeful that this is going to be a happy day.
As the rain patters outside, an old man talks to himself about birth, death, funerals, lamps, missing pictures and "loved ones" - a term he perpetually avoids using.
On a strip of film exist a pile of clothes and two men in bags. The two men conduct their lives in isolation of each other: when one is awake, the other is asleep in his bag.
