A criminalist explores the background of a business in which the authorities, with the help of an influential corporation want to evict and demolish part of the city and build a new complex there. The film is about the will and power of the individual; the fight against institutions, the individual's engagement, and the decisions made behind the scenes.
Humans' biggest delusion is their illusion of freedom. Newborns have no choice, they are brought into this world regardless of their will, groomed as utterly powerless beings to submit to the social norms imposed by those in the position of power - But what if there is an alternative?
Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.
Biba is a good-hearted hairdresser solving problems of everyone who sit in her therapeutic hair salon chair. Having been single for a while, she is suddenly faced with a challenge herself: her mum wants her to bring a date to her birthday party.
An intimate domestic drama about a family of lawyers adjusting to life following their oldest daughter's car accident - as their youngest daughter is about to leap into the world as a ballerina.
Thirteen year old Julija and her mother flee their abusive household to find refuge on an idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend, Ana. But Ana is in love with a boy and Julija is no longer a priority.
Hearts beat for hip hop until Bruno meets a beautiful violinist Nina and Zoki ends up in a hospital after a fight. Which love will prevail, love for hip hop, love for a girl, or is it possible to have it all?
After a year’s absence of his father, son tries to reconcile with him on a solitary trip to the family mountain hut. The more he tries, the more distant his father becomes. When a sunny day is suddenly disrupted by heavy rain, son fears this might have something to do with his father. Can he find the strength to see the truth before the flood arrives?
It's not time for revolutions, It's time for individuals, you just have to have the courage.
Sarajevo Safari, a documentary by Slovenian director Miran Zupanic, uncovers little-known shocking details about the Bosnian War of the 90s. The film is about rich foreigners who paid money for the opportunity to shoot civilians in the besieged capital of Bosnia and Herzegovina from the positions of the Serb army. The film showcased at the Al Jazeera Balkans International Documentary Film Festival garnered great interest.
After a long separation, a father and his son spend the day fishing on the river bank. On a beautiful autumn Sunday, surrounded by the majestic countryside, they seem to be alone in the world. They must start all over again.
A documentary about modern-day comics.
"Instead of Whom a Flower Now Blooms", "That Black Guitar", "Dizzy Heights" and other songs by the singer, poet and author Vlado Kreslin have already become folk tunes. Vlado is an eminent performer of popular music with a cult status, which is not a result of self-promotion strategies, but rather a consequence of his exceptional personal charisma and suggestive music expression. The documentary takes a look at the key stages of how Vlado Kreslin developed his authentic artistic expression. At the same time it frames the wider cultural context that Vlado has been creating in for more than forty years. However, this is first and foremost a film about music and music lovers.
Albert is an elderly man, a cynic, a choleric, and a racist. He lives in a wheelchair in a spacious flat in Trieste surrounded with his solitude of obsessive memory fragments, in which his unresolved relations with family members reside as he had distanced himself from them long time ago. His only contacts with reality are Ida on one hand, an educated middle-aged lady, who arrives from Istria to Albert's place twice a week to clean up, cook for him and to bathe him, and Albert's looking through the window on the other hand. That day Albert's and Ida's time together starts with Albert's nagging, him being cynical and aggressive. Ida puts up with his horrible communication with dignity and peace, but that ignites Albert's malicious behaviour even more.
The sequel to Let Him Be a Basketball Player continues the humorous story of Ranta, a boy so tall that he could be knotting ties to giraffes. A story about a clumsy boy who is so lazy that in the evening he would fall sleep standing up if the bed didn’t come to him on its own accord.
There were times when the economy was thriving and all indicators were turned upwards. But then finances crashed and reality hit – the economy had been on steroids. While professionals argue whether the financial crisis runs in the form of V or in the form W or has become a line segment at the bottom of the graph, we are wondering: "How could this have happened?!" Some answers can be found in To The Top And Back. Featuring Albin Kordež, a financier, a former president of the board, manager of the year, a member of the Bank of Slovenia governing board, the mastermind of management buyout, a "tycoon", a convict residing in the semi-open unit of the Dob Prison.
