Paraíso Production

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

Every Tuesday, Claudine goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine’s daily life is disrupted and she finds herself dreaming of another life.

At a house party, a handsome man wanders around catching up with friends he has not seen for some years. A travel writer now based in Berlin, Andre appears to be living an exciting international life, and yet... something has drawn him back home to Santiago. As the night goes on, we realize that a tragedy binds this group - an event that was also the impetus for Andre's departure from Chile years ago. Moreover, there is someone at the party he goes to great lengths to avoid. But she is the very person he most needs to see.

Léa lives in Le Havre, where she attends college whilst taking care of her elderly grandmother. To make ends meet, she works as a waitress in a night club. Her admittance to the Institute of Political Studies in Paris offers her new opportunities, but at a high price. Léa finds work as a striptease artist, so that each evening she can put into practice the theory of economic liberalism which she learns by day...

Fanny, a young nurse working at a big public hospital, is trapped every night in the same obsessive nightmare. She dreams she turns into a tree. While stuck to a lonely everyday routine she realises that her nightmare goes beyond the imaginary and gradually infiltrates her life.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

In the kingdom of Letonia, the young prince Égon spends his nights playing the drums. During the day, he only has one thing on his mind: finding Sleeping Beauty in the kingdom of Kentz and breaking the spell over her. But his father, the king, doesn’t believe in fairy tales, and is completely opposed to Égon’s dream. It’s Maggie Jerkins, an archeologist from Unesco, who will provide Egon with the opportunity to follow his heart.

There is a wrecked car in the Algerian desert. The girl gets in and drives. Apart from sand, there is nothing to see for miles. Searching for a change of scenery, she visits the elderly in her village and the nearby oasis. However, whether shepherd, merchant or blacksmith, nobody can see what she sees.

An early 20th-century sultan is introduced to the cinematograph with the help of a former operator for the Lumiere brothers.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Monica, a renowned choreographer, returns to Spain after a 20 year absence to see her sick father. Upon arriving her father has already died and her mother asks her to stay to sell the family home. In delaying her return to Buenos Aires Monica rediscovers her childhood landscapes and is forced to confront the past.

When the Chilean officials lift the ban on harvesting the shellfish "el loco" (which purportedly is an aphrodisiac) in the seaside village of Puerto Gala greed and lust take hold. Greed is embodied by Carlos Maldonato, "El Canuto," who attempts to buy all of the shellfish for a Japanese company, and by a traveling band of prostitutes that accompany the influx of fishermen. El Canuto also wrangles to get into good stead with an old flame, Sonia, who is now the proprietor of "La Pincoya," a local restaurant. But "el loco" proves more effective, and more damaging, than anyone could have guessed.

A man’s enthusiasm turns into greed and causes trouble for his family.

A couple search for love but never quite seem to meet.

Ali, a young Moroccan immigrant, is torn between the conservative environment of his family and his passion for the cabaret where he cross-dresses at night to become Alia.

A couple of choreographers tour between the frontiers of Argentina, Chile and Bolivia After 24 years sharing their professional and personal lives, the trip opens a crack in their routine and their lives begin to unravel.

On an island lost between two worlds, Dai, a young Chinese woman, survives alone in a cave, waiting for the baby that swells her womb day after day. Around the harbour which, every day, flurry with the arrival of hundreds of migrants, she searches tirelessly the face of the man she loves, her husband. One, night her wish is to be fulfilled

In her room, Mona, a young teenager, gets ready. She waits for the arrival of the one with whom she is in love.

A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.

Paul doesn't know how to say no. He goes from job to job, from man's arm to man's arm, without knowing what tomorrow will bring. This Wednesday, he has to look after his eight-year-old son, whom he did not raise and whom he had with Assa, a surgeon older than himself.