Les Films du Point du Jour

The story of the unconditional, no-holds-barred tour of America by Soviet Premier Nikita Khrushchev, leader of World Communism and America's arch nemesis, during 13 sun-filled days in the fall of 1959.

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

This is the story of a Parisian building guard who returns to the Comoros to overthrow a dictator. Fatima Oussoufa has been living in France for over 20 years. As a janitor in a building in the 19th arrondissement of Paris, she is in charge of cleaning and receiving packages. She keeps the elderly company and plays with the children. She shares her good mood with all the inhabitants of the building. What they don't know is that she has a double life. Every weekend, on the Place de la République, Fatima harangues the crowd with vehemence, she speaks out against the dictatorship in the Comoros. This African archipelago, a former French colony, has been mired in poverty and political instability for decades. It is now ruled with an iron fist by Colonel Azali Assoumani. Fatima's goal: to bring down the regime and bring back democracy to her people.

How would you feel if the state sold the mountain above your village to a big multinational, your country's beautiful islands, its beaches or your great monuments? Strangled by debt, governments and public administrations all over Europe act like any indebted family: they try not only to reduce costs, but attempt to replenish their coffers by putting their most valued family possessions on the market. More often than not, this includes part of the countries' historical and natural heritage: castles, islands, mountains, beaches, palaces, ancient arenas and archaeological sites. But who really owns these properties? Aren't they our common heritage, our history that will end up in private or corporate hands and will no longer be accessible to all? Or is the private sector more efficient in managing these properties? And if so, who decides on the best deal? Are there democratic proceedings for the sale of our common good? The people of Europe want accountability.