Platzkart Production

The film is centered on young people who live in a moral vacuum, with no aspirations or goals in life. The main character, 18 year old Valera, was once a promising footballer, playing under the most sought-after number 10. But an injury eliminated his chances of a professional career. After several years at a major football academy, he returned to his home town. While waiting to enter compulsory military service, Valera is dating Sveta, a girl of seemingly no ambition, who works a dead-end job as a supermarket cashier. But their relations are nearly limited to sex. Valera's only friends in the neighborhood are a couple of hoodlums he once went to secondary school with. Hanging out with them, he eventually slips into crime...

Katya and Pasha are a Moscow student couple in their early twenties. They don't care about politics or authorities. They aren't really rebellious, they just want to be left alone and have fun. One day they come to a punk concert at a small club, but two rogue policemen stop the show in the middle of it - there are no formal grounds to do that, but the policemen just enjoy their power. Katya tries to reason with one of the officers, but he reacts in a brutal way, and Pasha has to defend her. Katya and Pasha escape and they hope they're safe. But in Russia, you shouldn't mess with the police, and next morning, the young people learn that they are in trouble. Their only way out is to pay the policemen off, and they embark on a mission of getting the cash - borrowing, begging, doing whatever they can. And they only have several hours to come up with the cash.

'Three Comrades' covers 24 hours in the lives of Gleb, Vlad and Gosha, all three in their mid-twenties. After a day of fighting with the aggressive boss and unscrupulous customers, the three young men decide to have a few drinks and unwind. But what was supposed to be an uneventful night out soon enough turns into unexpected and, sometimes, violent adventure.

The world's first documentary about Siberia's punk rock scene in the 1980s. It was a phenomenon of those times that this music existed thousands of miles away from the movement's epicentres in New York and London.