Based on a classic Danish children's book by Ole Lund Kirkegaard. Being small doesn't make life easy for little ten-year-old Victor and his friends, who not only have to face a world full of stern grown-ups but also the town bully Freddy Frogface. When a circus comes to the sleepy little town, Victor is thrilled at having the chance to perform in a talent show with his dog Sausage. Yet Freddy soon comes up with a sinister plot of his own to spoil Victor's plans...
Poor Ivan Olsen is plagued by problems bullied at school and constantly pursued by a gang whose greatest pleasure is filling his pants with water. And when Ivan gets home, his dad doesn't have much sympathy for him either because he is crazy about Tarzan and fails to appreciate Ivan's finer qualities. But one day Ivan gets the chance to live up all of his dad's expectations and give the bullies at school a lesson they will never forget. The big question is whether having superpowers makes life any easier?
11-year-old Jasper may just be starting puberty, but so far he has experienced a lifetime of emotions. On the day his beloved grandfather dies, he is charged with taking care of the elder's pet cat. The local town bully, Mourids however, has his own ideas on how to take care of the frisky feline and wastes no time with showing Jasper just what he thinks of cats. Enter Far, a significantly more mature girl who Jasper is attracted to. It's love at first sight for Jasper, but will Far return the puppy love or will Jasper find out the hard way that she is actually Mourid's girlfriend?
Stunning photography of icy tundra does not make up for dramatic weaknesses in this average story about a brother searching for clues to the death of his sibling in a forbidding environment. Erik (Thomas Eje) is newly divorced and a depressed, despairing man who arrives in Greenland after his brother died in a hang-gliding accident. He eventually moves in with an Inuit woman Soerine (Naja Rosing Olsen) and her son Nikki, whom Erik suspects is his dead brother's child. His search and suspicions are punctuated by other subsidiary, mini-dramas, and long, sweeping vistas of the ice-bound landscape.
The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.
Franco lives in a rough part of Copenhagen. His hooker mother has little time for him. Franco drifts into a life of crime, repeatedly confronting the authorities. To give him a new start, he’s placed in a foster home far away from Copenhagen. His new family greets him with warm hospitality. There’s also the beautiful countryside and, last but not least, the teen-aged daughter
A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.
Danish Katja looks for a lost falcon while on vacation in Italy.
A family of aerialists decides to go after the $250,000 prize being offered to any group that can execute a complicated trapeze maneuver. However, personal dramas and financial difficulties soon threaten to overtake the flyers' pursuit of the elusive quadruple somersault. The film received a Robert Award as the best Danish film of 1985.
Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.
Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.
Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.
A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.
