A Man and a Woman 1966
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
In France during World War II, a poor and illiterate man, Henri Fortin, is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.
Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.
A high-speed drive through the streets of Paris.
A composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States.
A thief known as Simon the Swiss faces up and downs in his criminal profession.
In an increasingly crazy world, Lino, who has decided to leave everything behind, will come to realise that, at the end of the day, everything that happens to us is for our own good!
Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Young Jeanne falls in love with photographer Francis, who soon takes her with him when he emigrates to America. In a small town in the still wild west, they build up a small photo shop. Meanwhile, animal doctor David lives on his lonesome farm together with his unlucky wife. It takes years and two tragic accidents until Jeanne and David meet. She has already decided to return to France as soon as possible, but love, and fate, have other plans.
Catherine and Marcello are secluded in their house, living under the candlelight. Unable to accept the injustice behind the loss of their nine-month-old baby, they face a slow but definite self-destruction.