Gotlands Filmfond

A dad moves into a new house with his son and girlfriend. When he's out of town working, the son makes a new "friend" next doors.

A ship carrying settlers to a new home on Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.

A dead body is found, and police detective Mårten Späck draws the conclusion that a serial suicide killer is at large. Späck with his colleagues Grünvald Karlsson and Irene Snusk suspect a gang who distributes pirated DVDs of 'bottom-of-the-barrel' Swedish movies.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

Anders and Lotta are newly in love. Everything would be great if it weren't for Anders' partner Sofia and Lotta's husband Kurt who still doesn't know anything. Anders is an ornithologist and when he hears that a real rarity, the Mongolian Pipit, has been seen on Gotland, he sees his chance to see his three hundredth bird and become a member of the prestigious Three Hundred Club. But it also means that he can be alone with Lotta. Before they can tell their respective that they love each other, they are exposed.

The Stig-Helmer Story is a 2011 Swedish comedy film directed by Lasse Åberg. The film is the sixth in the series about Stig-Helmer Olsson.

Born from the ashes of the iconic punk band Ebba Grön, this documentary tells the story of Imperiet and their journey to become the leading star of the post-punk generation and one of Sweden's biggest rock bands. It's also the story of Sweden, at a time in which they took their firm position on the world stage and when political commitment from the artists was a necessity.

""I collect. I document. I write down my memories. I’m afraid they’ll disappear." This is how Victoria Verseau introduces her intimate documentary diary, in which she returns to Thailand and to the year 2012, when she underwent her transition. She had long awaited this moment, but then came feelings of uncertainty, amplified by the death of a close friend. The conceptual artist adopts an almost archaeological approach to the past and lays bare the process of writing a personal story that is intrinsically linked to the creation of her own identity. In this deeply felt debut she reveals the joyful aspects and also the dark recesses of transition and, bringing other testimonies into play as well, she critically examines what defines women as women."