Filmstudio București

This rather unconventional Western movie is set in the middle of the 19th century in Arizona. The film portrays an Indian tribe, the Mimbreno Appacheans, who are celebrating their Thanksgiving, building an irrigation plant, carrying on commerce, and trying to settle down in a rather constricted territory. But the confrontation with the white Americans changes their situation as the mercantile "gentlemen" want to prevent the Indian tribe to become independent from the white men′s business practices. Thus, they destroy the irrigation plant and chase the Indian tribe in an inhospitable territory where they cannot survive. Led by their chief Ulzana, the Appacheans thus start a bitter fight to preserve their habitat.

America’s Wild West of the last third of the 19th century. Thousands of people rushed here in pursuit of enrichment. Among them was Gabriel Conroy, a man absolutely helpless in the world of business. When fountains of oil started gushing on his plot of land, the local moneybags Peter Damphy decided to appropriate the land, and succeeded in it by blackmailing Conroy’s wife and his former mistress Julie... Based upon stories by Francis Bret Harte.

Matei recollects events of the year 1944 in order to prove the innocence of a friend. Based on "Șoseaua Nordului" (Northern Highway) novel by Eugen Barbu.

A young man leaves home after graduation from high school to make his way in the world and seek his independence. The story is told in flashbacks as the opening scene shows the man suffering injuries from a fall during his construction job as a welder.

A breathtaking story in which a woman goes in search of her husband.

The second movie in the "Margelatu" series.

In a small provincial town everything goes well, apart from sports activities. The local soccer team is on the verge of relegation. But the ones responsible with the team are ready to do "everything for soccer", even match-fixing.

Petru and Constantin, former faculty mates, have different views concerning their lives and professions; while the former has a bright imagination, is very creative and daring, the latter is looking only for personal comfort and material satisfaction. They contend for the same woman – but even if she loves Petru, she marries Constantin for his material condition. Though he finds in Constantin an adversary who does not hesitate to remove him, Petru will surpass him professionally.

Around the nationalization in 1948, a worker's daughter, as a student, is attracted by the social life offered by a breed horse owner. The relationship will sour by the cruelty with which he kills the horses, rather then give them away.

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

After years of deplorable conditions of poverty and injustice, peasants revolt against the landowners, the social elite, and police in this routine social drama. A peasant woman is raped by a lecherous wealthy lesbian, and chaos breaks out in the rural areas where the poor suffer the most from the oppressive social and economic conditions.

Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

Romania, 1940. A boy meets a girl. They fall in love without suspecting anything about their real identities. They chose an eventful, tense and dangerous life as underground anti-fascists fighters. The significance of their activity is manifest in the consequences it has on the tormented progress of their love. Reality is against it. Two parallel lines which meet for a second, only to drift apart for ever.

Used to move along with the construction projects they were working for, a group of people decide that is time to settle.