Exploring the social impact of what The Source Magazine in 1998 voted, "The Best Hip Hop Radio Show Of All-Time." The documentary film is the story of quirky friends who became unlikely legends by engaging their listeners and breaking the biggest rap artists ever.
Mixtapes have an out-sized role in the emergence of hip hop around the world. Before radio play, the internet, and social media, there were mixtapes. No matter where you lived, you could pop a cassette into a tape deck, and be transported to a party halfway around the world. DJs were taste makers, trendsetters and creators of the sound that became the biggest musical genre on the planet. A meteoric rise for an art form not yet 50 years old. The importance of mixtapes goes well beyond the tapes themselves. Mixtapes were a form of currency. A signifier that you were In-The-Know and had your ear to the streets. A skeleton key to the underground. The culture was too strong to be stopped, and the artists were too talented to be ignored - so they turned the sub-culture into the mainstream, and made hip hop what it is today.
Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images. From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.
A cinematic odyssey exploring the connectivity of global basketball, sneaker, and music lifestyle through the firsthand lens of authentic NYC culture orchestrator Bobbito García. The film explores García’s youth dealing with mistreatment, educational quandaries, identity, and loss as well as his ascension to self-determination as an adult freelance creative.
Not too far from Rio de Janeiro's rumbling motorways and electric lights there is a place, where carving canoes and building houses with clay are still an essential part of life. 'No Kings' has been made in the same free spirit that defines the lives of the inhabitants of the small community between the sea and the rain forest. Out here, nature itself is the supreme authority. The rest of society with its gods and kings is a distant echo. The vital, saturated universe enshrouds us as we are out catching crabs with the children or hear the rain patter on the roof in the middle of the night. The Caiçara people maintain and cultivate the last remnants of the Atlantic rain forest, and their traditions are based on sustainable values from Brazil, Japan, Africa and Europe. But Brazil's new government has other plans for the rain forest and for the country's many minorities.
Dramatic Escape follows inmates at Sing Sing Correctional Facility in Upstate New York, as they attempt to mount a behind bars production of A FEW GOOD MEN. Tracing the inmates' steps from auditions through their curtain call, we are witness to their journey - both as individuals and as a players ensemble. All of the obstacles involved with putting on a stage production on the outside become all the more difficult behind bars. Hear the inmates' stories and candid retelling of the crimes that landed them in prison. Witness their everyday struggle with what they have done and listen as they contemplate whether redemption is ever achievable either to themselves or to the outside world.
