In a small traditional Georgian village, Etero, the owner of a housekeeping shop, is a forty-eight-year-old spinster. She cherishes her freedom, as much as her cakes, and is preparing for a peaceful and comfortable retirement away from gossip. But a fiery affair with her delivery man could derail all her plans.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
After years of exile, Remo, an orphan, returns to his childhood village in the Balkans. He must help his adoptive cousin, Una, with the exhumation of a mass grave that contains most of their family members buried there during the war. But the bodies reveal family secrets that will make Remo and Una question their past and their future. A film about the possibility of truth in a place that only knows survival.
April is released from prison after having been busted as an illegal sex worker. In the basement of a luxury hotel in Tbilisi where she works, she meets Dije, a young man who has left his native country Nigeria behind. Believing he is on his way to Georgia in the United States, he finds himself in a country that offers him no future. April herself is hiding and coming to terms with a lost love that is better not spoken of in Georgian society. Between longing and survival, in the searing heat of the capital, an extraordinary relationship develops between these two people who live on the margins of society.
This is the story of the quiet disappearance of a public service in France: the telephone box. Barely forty years old and already totally "out".
Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.
To escape from a lack of perspective in Kosovo, Hana decides to resort to the services of Emir, an illegal smuggler in Serbia that will drive her to Hungary. On the way, complications arise as Emir's unscrupulous associates try to take advantage of Hana's vulnerability. In the midst of the frozen winter, Hana's courage and determination and Emir's principles and beliefs will be put to the test.
Even though he's been living with Fouad for three years, Malik is going to marry Halima. Since Fouad doesn't accept this marriage, which would imply a total upheaval of their everyday life, Malik makes him promise not to attend the wedding, which will take place in his parents’ village. As the ceremony approaches, the pressure builds. Will Malik choose to save face in front of his family and the wedding guests or will he choose to save the relationship with the one he loves?
A Roma boy living in Sweden dreams of building a spaceship to escape the reality of his family's pending asylum request, and the mysterious coma-like illness that has befallen his siblings.
Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
A Swiss right-wing populist and a veiled, Kurdish Muslim asylum seeker swap bodies before an election.
A film about the transition of three trans teenagers, the upheaval it causes in them and their loved ones, as well as the quest for identity buried deep within them.
Ondina is a radiant, happy young woman. She lives with Alexia, they are in love. Their relationship is passionate and sensual. But one day, Alexia flies to her native Greece and does not return.
Mateo, a young dancer, returns to his native region of Menton to reconnect with his brother Albert after a long absence. Very quickly, Mateo is confronted with the loneliness of his elder brother who is fighting for the survival of the family candle workshop. Mateo wants to overcome the childhood sufferings, but reconciliation is difficult between misunderstandings and fraternal love.
In Georgia, two stranded Nigerians, Obinna and Afame, navigate the sleeping city of Tbilisi after a long night out. However, as day breaks the true colors of their ambiguous affection begin to show. In this way, they find solace despite their hostile environment.
A police officer steals some money from an international judge of a special court in Kosovo. The money was a bribe for the judge. Now the officer faces a dilemma – whether to keep the money and deny everything or figure out a way to return the money for his own family’s safety.
For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.
Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.
