I.D. 1995
Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .
Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .
John Hurt stars as a scandal-hit member of parliament, dispatched to the political backwaters of the European Commission in Brussels as penance for his failures. However, once there he stumbles upon a chemical weapons outrage that points to a sinister political-industrial conspiracy.
The formerly great Swiss hotel which Valentin’s family owned when he was a boy has been emptied and is about to be torn down. He revisits the magical site’s empty halls and ballrooms.
A young woman who is obsessed with Buster Keaton stays in the sanatorium where the actor was once a patient.
White King, Red Queen is a Russian film. The composer Isaak Schwarz won a Nika Award from the Russian Academy of Cinema Arts and Sciences for the film's music.
Movie-making cliches are parodied in this German comedy which features to warring actresses, meddling producers, indulgent directors, and an ignored writer. Not only must they contend with each other, they must also deal with the bankers who have the power to shut them down at any moment. The story begins at the premier of director Viktor Rote's newest film "The Tin Cat," which stars his popular wife Riki Rote. The film's writer and Viktor's brother Richard is miffed when he is not allowed into the screening. Viktor's ambitious mistress and aspiring star the Nina is also not invited in. The film is a hit so Rote is allowed to begin his new film by producer George Kuballa. George is also head of the studio. His rich and frequently rejected wife is Lore, a major financial studio backer who prefers spending her time consorting with her handsome young chauffeur.
Three former school friends, all grown up in Wedding, the blue collar district of West Berlin, have not seen each other for a decade. They meet in their old teenage hide-out, a storage depot close to the East Berlin Wall in the summer of 1989.
Two old ladies live in a French chateau. When one of them dies, her sister, who lives in Moscow, inherits the property, which soon ends up in the hands of Japanese businessmen.