Hagazussa 2018
In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.
In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.
In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.
After many years apart, Emilie meets her brother Jakob again. She not only shares her sadness about the loss of their parents with him, but also a secret...
A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.
A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.
Jakob, a young policeman from a remote village, has his world unhinged when a stranger in a dress emerges from the forest and begins killing villagers with a sword.
Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.
Real estate agent Christian travels the countryside scouting for investment prospects. In a forgotten, seemingly abandoned village far off the main roads, he finds more than he is looking for. Getting entangled in an encounter with a taciturn teenage farmhand, he confronts his sexual frustrations and, in the process, gets drawn into the undergrowth of a bloodthirsty rustic community.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
A surreal trip into the world of an extremely long german word.
Haunted by dreams of her family's bull, a woman living in Berlin returns after many years to her hometown in Venezuela to visit her father and settle old scores with her siblings.
The mysteriously familiar face of a deceased young woman shakes young surgeon Fabian out of his lethargy. On a whim, he leaves Berlin for Portugal, determined to win back his former girlfriend Doro, who works at an architectural company in Lisbon.
The story is centred on Lena, who is 38 years old and lives in Poland. One night, while driving to Łódź on a motorway, she witnesses an accident. She sees how a woman trapped in a car burns to death. The screams of Nina, the victim, haunt Lena from then on, and she starts to suffer more and more from insomnia. Lena tries to find out who the woman was. This quest whisks the protagonist away on a physical as well as an emotional journey into her subconscious. The nights on the motorway turn into nightmares, and Lena has to find a way out of them.
Bosnia, a summer's day at the country side 20 years after the latest war. Being the only witness of the secret plan of her favorite aunt Ljilja, little Maja takes a major step in her life. The boundaries of her childhood start to break apart.
Getting lost on the way to work.
Pierre is fascinated by the Russian politician Mikhail Gorbachev, who, as General Secretary of the Central Committee of the Communist Party of the Soviet Union, manages to rekindle hope in spite of the ossified system in his country. Pierre goes to the streets of Paris and tries to persuade people to live a new life ...
A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.
The story of a seemingly settled bank employee who breaks the shackles of his everyday life and becomes a wanderer between worlds. Frederik is an up-and-coming young bank employee who lives an ordinary life. When a bank customer, whom Frederik has denied a loan in the face of the bank crisis, shoots himself in front of Frederik, he snaps. Together with ex-con Vince,he begins to live out a new, dark side of himself. He robs his rich bank customers' homes and gives the money to the needy. The initial rush of crossing social boundaries soon develops into an addiction to ever greater thrills.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.