Piraya Film

Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.

An optician grapples with the Indonesian mass killings of 1965-1966, during which his older brother was exterminated.

TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

Ndola, Northern Rhodesia (currently Zambia), September 18th, 1961. Swedish Dag Hammarskjöld, UN Secretary-General, mysteriously dies in a plane crash. Decades later, Danish journalist and filmmaker Mads Brügger and Swedish researcher Göran Björkdahl investigate the case looking for a definitive closure.

In Bundelkhand, India, a revolution is in the making among the poorest of the poor, as the fiery women of the Gulabi Gang empower themselves and take up the fight against gender violence, caste oppression and widespread corruption.

In many Western countries, trust between the people and conventional political parties is at a low point while populist movements are on the rise. In Italy, protest party Movimento 5 Stelle, founded by popular comedian Beppe Grillo, vows to send all politicians home and bring power to the people. They win a stunning 25% votes, becoming the most-voted single party in Italy, but what happens when ideals meet parliamentary reality? Can one be uncompromising and effective at the same time? Are internet referendums direct democracy or faceless mob rule?

Amidst COVID lockdowns, India’s farmers rise up on an unprecedented scale against unjust new laws. Over half a million protesters—men and women from all generations, religions, classes and castes—gather and reinvent co-existence while winning a rare victory over the state.

What started as a drama about a Russian police plot to steal a billion dollars from a US financier and to murder his faithful tax lawyer Sergei Magnitsky, has become a real life investigation of contradicting versions of the crime.

Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.

Millions of American Evangelicals are praying for the State of Israel. This film traces this unusual relationship, from rural Kentucky to the halls of government in Washington, through the moving of the American Embassy in Jerusalem and to the annexation plan of the West Bank.

Behind the success of Hariton Pushwagner we find a dramatic story about a son of a wealthy family who became homeless, only to end up as a celebrated artist. Pushwagner himself says, "It's not true but it's a good story". Against this backdrop, the film reflects on what the reality of Pushwagner is, both as an artist and a human being.

American documentarian James Longley delivers a sweeping, profoundly compassionate group portrait of Afghan students and teachers still weathering national turbulence.

A group of highly motivated activists work for years with the goal of exposing the true face of the Nordic fur industry. They sneak into hundreds of fur farms. When their images are publicized it causes media feasts and public outrage, year after year. However, the industry always strikes back. Nothing changes. A new approach is needed. So, psychologist Frank Nervik tells the fur industry that he plans to become a fur farmer. He asks for training. Nervik is accepted as one of them, and starts learning the trade secrets. Without anybody knowing, he films his training with a hidden camera.

Lina’s plan was simple. She wanted to become a camerawoman. She liked filming details of life and people around her, mainly during a bright sunny day in Damascus. But with the uprising in Syria, Lina was slowly absorbed into documenting the impact on people’s lives. It didn’t take long before events escalated, and arrests, torture, and potentially life-threatening situations became a reality for Lina to negotiate on a daily basis. She had to adapt. She invented personas and aliases. They each helped her navigate life under a new norm. What was a simple plan, turned into a complex web of identities, which seemed then a small price in exchange for her liberty to continue to hold the camera.

Anya was an ordinary Moscow teenager who found a chat group of her choice online. They talked about animals, the stars and social issues. A man called Ruslan D joined the group, who set up an office space for the online group to meet. Step by step, he began to lead young people who were critical of the Putin's regime towards political activism. Ruslan D placed a camera in the meeting room, and when he had enough footage, he handed it over to the prosecutor. The police raided the teenagers' homes and they were arrested on charges of planning to overthrow the government and terrorism. Three years of legal proceedings transformed Anya's mother from a loyal follower of Putin to a hunger-striking activist. Moscow-based director Anna Shishova followed Anya and her mother's life throughout the event and eventually revealed the true identity of Ruslan D.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

A year after the euphoria on Tahrir Square, the demonstrators' goals have not even come close to being reached. The country is ruled with an iron fist and there is still no democracy. The 'eye of the world' has moved elsewhere. How things have been in Egypt since 25 January 2011 is explained using five portraits of people from various walks of life.

A wild and funny documentary showing how the progressive youth of Afghanistan are rejecting the use of armed force and see film production as an alternative means of bringing peace and social change to their war-torn and occupied country.

A camera in the hands of African Union soldiers in Mogadishu, Somalia, captures the war on the jihadist militants in Al-Shabaab.