Trentino Film Commission

The relationship between Ed, a married astronomer and Amy, his lover, who spend their years apart, is based only on phone calls and texts. One day Amy begins noticing something strange in Ed's messages.

These are the years of the First World War and Dr. Stefano Zorzi spends his days in the Exemption Clinic in a large city of Northern Italy, where he not only takes care of soldiers who arrive from the massacre of the front, but also he fights simulation and self-harm of those who hope to be dispensed, by sending them before the Military Court. If Stefano, in fact, does his utmost to heal soldiers and send them back to fight, Dr. Giulio Farradio makes them ill, or helps them to self-injure seriously enough to be exonerated. The two doctors, who went to university together and were great friends, they not only (secretly) challenge each other on a professional level, but also on the sentimental one: they are both linked to Anna, a courageous nurse with a strong character. But when the great ‘Spanish’ fever epidemic arrived in 1918, the time for love, politics and science ends up getting confused dangerously...

Italy, third millennium. Andrei, a Romanian university student, ends up embroiled in an intrigue linked to the disappearance of a German antiquarian.

As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.