Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.
1960s, the city of Clerville. The forthcoming visit of heiress Eva Kant, who'll be bringing a famous pink diamond with her, catches the attention of Diabolik, the infallible and elusive thief whose real identity is unknown: while trying to steal the jewel, he finds himself bewitched by Eva's charm, a feeling she may be reciprocating. But the police, led by relentless Inspector Ginko, is rapidly closing in on him...
It's one of the many anonymous nights of quarantine when Irene's phone rings. It's Pietro, her ex. Irene hasn't heard him for months, since their story ended, she hesitates, but in the end she answers. Pietro is beside himself and his confused words suggest a desperate act. Irene just has to travel, to a ghostly city, without ever hanging up, with the hope of reaching him in time.
Diabolik narrowly escapes Inspector Ginko's latest trap, leaving his partner in crime Eva Kant behind. Furious, Eva offers Ginko her help in capturing him, but the former has to face first the return of an old flame of his, noblewoman Altea.
In the '80s, a teenage nerd notices sinister parallels between the story of his favorite comic book and the real life horrors befalling the small town where he lives. He and a few friends seek to investigate.
Toni leads a normal life with his wife Paola but full of enthusiasm and passion. The chance meeting with the young and wealthy Chiara will rekindle in him the desire to redeem himself and to realize his secret dream: to become an artist. The paths of the three will intertwine in a dangerous love triangle that will change the course of their lives forever.
A businessman gets stuck in his office elevator, but this nuisance soon turns into a nightmare, for in the outside world a zombie apocalypse has taken place...
A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.
On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.
In the Tiburtino III neighbourhood, in the outer suburbs of Rome, a small asteroid falls from the sky. In the following days, almost everyone in the suburb starts behaving inexplicably oddly: they all suck AA batteries. An improbable group of young characters finds out that many have been infected by some parasites and the aliens intend to conquer the whole world.
Doctor Bianca Valentino is hired to cover the night shift in the ward of a pediatric hospital. She finds herself immersed in an environment that, behind its reassuring image, hides a terrifying secret linked to its past as a children's asylum. The ghost of a child wanders the corridors tormenting her and transforming her nights in the clinic into an endless nightmare that day after day is about to become reality.
Perennial university student Eva, who is still having difficulties at adjusting to big city life, takes up a job as dog sitter. After visiting the owner, she finds out the dog—Spotty—is actually Matteo, an introverted young man who copes with modern life by dressing up as a giant puppy.
A docufilm about the exciting story of the play-off between Cagliari and Piacenza in June 1997, when 20,000 Sardinians left for Naples to support the team then led by Carlo Mazzone, who needed a victory to avoid relegation to Serie B. Deu Ci Seu tells the story of the exodus of an entire island that mobilized to support one of the symbols of its identity.
The story of the Palmi soccer team
"Interno giorno" is a journey through cinema, via the auditions of aspiring young actors and actresses who, from the Second World War era to 1968, tried for admission into Europe’s oldest film school, the Centro Sperimentale di Cinematografia.
