Bande à Part Films

A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.

Sophie is a brilliant student. Encouraged by her maths teacher, she leaves the family farm to attend a science preparatory class. Between new encounters, successes and failures, and faced with fierce competition, Sophie realizes that her dream of joining the Polytechnique represents more than an entrance examination but a true challenge of social climbing.

Competitive bodybuilder Léa Pearl is preparing to compete for the prestigious Miss Heaven title. Her coach, Al, a former bodybuilding star, hopes that, thanks to Léa, he will be back in the spotlight once again. But at the last minute, Léa's ex arrives with their son Joseph, who she hasn't seen in four years.

Diane Kramer is led by one obsession: to find the driver of the mocha color Mercedes which hit her son and devastated her life. With a few belongings, some money and a gun, she goes to Evian, where she's learned the driver lives.

April, an idealistic lawyer dedicated to lost causes, agrees to defend Cosmos, a dog that has bitten three people, leading to the first canine trial. She has no choice but to win the case, as otherwise, her unusual client will be put down.

Ricardo and Painting is Barbet Schroeder's portrait of his friend the painter Ricardo Cavallo, who devoted his life to painting. From Buenos Aires to Finistère, via Paris and Peru, this film is an invitation to dive into the history of painting, but also to discover the life of this exceptional man who, with simplicity and humility, always fully committed, to the point of transmitting his passion to the children of his village.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

As winter sets in and P.A. sees the world shifting around him, he starts to observe strange phenomena in the environment. The changes are imperceptible at first, but gradually his whole world seems to be on the brink.

Five days before D-Day, the day of the last voyage of the Order of Sirius, a sect nestled in the Vaudoise Alps, Switzerland. Five days during which a community of 48 people, women, men, children, fed with esotericism and guided by a narcissistic guru, will test their faith and be deprived of their identity. Five days in which every gesture will be the last. Sirius is inspired by the massacre of the Order of the Solar Temple in 1994 in western Switzerland.

Claude Goretta directed “L'invitation” in 1973. For filmmaker Lionel Baier, born in 1975, it is like a “travelling companion”, to adapt Serge Daney’s expression. He feels it is definitive proof that a Swiss can be deeply Chekhovian. The young filmmaker goes to Geneva to ask his elder how he achieved the whoosh of water effect in the film, why attention to detail matters so much, and how to film great actors such as François Simon. This encounter with Claude Goretta – but also with Isabelle Huppert, Nathalie Baye, Michel Robin and Frédérique Meininger – leads one of the greatest of Swiss filmmakers to open up about his work.

Since he is 9 years old, David Miller has known the date of the day he dies. As it nears, he meets those he cares about for the last time, obsessed by the idea of learning how to tie a tie and by the the fall into water of the Quebecker filmmaker Claude Jutra. Shot with a cellphone over a decade, from Lausanne to Ouagadougou, Low Cost (Claude Jutra) is a small fiction about the market value of a human life in a time when everything is discounted. Life is priceless, death, however, negotiates…

The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.

Is it possible to replicate the human brain on a computer? To connect it to machines? Research aimed at understanding the functioning of our biological brain is being matched by spectacular progress in the development of artificial intelligence.

An ensemble portrait of the 2011 Swiss federal elections. Following the fate of three candidates from the French-speaking part of Switzerland, the film sheds light on the richness and complexity of the political ritual.

The Blocher Experience tells the story of Switzerland’s most controversial political leader. It also chronicles the face-to-face encounter between a film-maker and a man of power, through a year of exclusive, up-close interviews and access to his private life.