VFS Films

A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.

“TESA MAN” is a music film – a poetic exploration of the relationship between collective creativity and the natural world. The film blurs the lines between reality and imagination, inviting viewers into an animistic experience where music performed by the band Tesa in a frozen Baltic landscape attempts to transform air, steam, ash and clay into something much more alive.

Instead of Einars Pelšs' eighth poetry book, he publishes his collected works, but the buyer of the book receives an ordinary brick. He translates the authors of the Russian Golden Age and publishes them under his own name, challenging the boundaries of literature. Is a poet who makes fun of art unique or exactly what we expect from contemporary authors? Einarrative is an extraordinary story that portrays the narrative of the life of Einārs Pelšs. In the film, this narrative is an experience of contrasting changes both in its visual style and in Einars’ poetic works and personality, allowing him to get involved in the depiction of the narrative himself, making the film as Einārs Pelšs' audiovisual collected works.

The dance of life and death, with humanity entering the fray. An artist, a zoologist, a nature scholar, and a sheep farmer working in the IT sector, who also happens to be an astronomy enthusiast, all view the demise of biological bodies differently. Forest carrion, larvae under tombstones, sheep in the barn, layers of feathers and bones, and shimmering green flies on decaying flesh – amidst all this is a human trying to understand their place in cosmology. In this grand tapestry of transformation, what is the human species: part of a cycle or more akin to superhuman?

Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.

A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.

More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?

They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

Little kids, big dreams and smashingly good music – Dixieland follows the amazing progress of four members of a Ukrainian children’s brass band from Kherson. Through steady practice under the wildest of conditions, Roman (12, trumpet), Polina (10, trombone, drums and many other instruments), Nikita (12, drums) and Nikita (14, piano) produce magical music with ancient, wobbly instruments. Not least due to their wit and good humor, they persevere together, helped along by their 80+-year-old conductor and a young teacher. These children of the post-Soviet provinces use American tunes to achieve their dream – to become someone in the world and make something of their lives, no matter how dire the circumstances. From the authors of an awards winning documentary film Ukrainian Sheriffs.

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

A cinematic journey into one of the greatest European noble families, the Radziwiłłs. Even the King would stand up when Radziwiłł the Black entered the room. Members of the Radziwiłł family weren’t afraid to defend the Reformers when the fires of the Inquisition burned across Europe. It was a Radziwiłł who went on one of the most challenging pilgrimages from Vilnius to Jerusalem and then published an account, becoming the pioneer of travel literature. A mix of documentary and fiction, past and present, and history and its re-enactment, brings to life the essence of a once-popular saying: “I don’t want to be a king. I want to be a Radziwiłł.”

While playing hide and seek, children discover unprecedented objects, places, and creatures behind the doors of an antique wardrobe! They find themselves in an unexpected universe full of colours and sounds, inhabited by beings both real and only encountered in fantasy. They, too, hide and seek each other throughout the year.

Driving in their yellow Lada flying its own little Ukrainian flag, they travel from incident to incident – calming an angry neighbor, investigating the discovery of a body, struggling to unfold a stroller and attempting to re-integrate Vova, the freeloader who eats other people’s dogs but actually longs for a normal existence – just like everyone else here. The seasons pass until political developments reach the village by way of the TV screen, sowing separatist discord.

At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.

A person’s face and eyes preserve experience better than any document or recorded memoir. Particularly if a person has experienced as much as the well-known dissident Lidija Lasmane-Doroņina. Actually, she does not even think of herself as a dissident. She received her three terms in prisons and labour camps – fourteen years in all – as punishment not for underground struggle but for daring to remain true to her principles, convictions and faith. The ideals Lidija obtained as a child – the idyllic image of Latvia as an independent country, strong family values and faith in God as a moral measuring stick for any action. Her eyes are bright even today, at the age of 91, and they look at this world full of life.

Every day, come rain or shine, Theodore used to bike the seven kilometres from his house to the centre of the village to sit and drink beer in the bus stop. For him, no doubt, this place was the centre of the Universe. With his death, the centre has moved elsewhere, and the bus stop is just a bus stop again.

Ramin, an ex-wrestler who once won seven matches in 55 seconds, lives alone in the east Georgian town of Kvareli. Long ago he fell in love with a girl with whom he was estranged soon after he met her. Now, at 75, still unmarried but full of life, he travels to a remote village to seek her out. This film presents Ramin's journey through the Georgian landscape and through the memories of this man with a old aged body and an unbeatable heart.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.