Compañía para el Fomento Cinematográfico - FOCINE

Young Valentina uses all her might to believe that her deceased father is still alive.

A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

The teacher and the butcher of a small town in the tropical Andes, are both in love with the same woman (Miriam). They decide to duel for her. Everyone in town catch the notice, except of course for Miriam. The Mayor then decides to manipulate the event to make it political.

Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.

When the authorities failed to help him out, a musician tries to find the thieves who stole his money creating the hashtag #Rats. This leads to people trying to find their own robbers and seek for justice on their own with the aid of social media.

Rodrigo is a marginalized and lonely being who prefers to die before being forced to kill. He finds himself trapped in a city that oppresses him, calls him, marginalizes him.

In an old and mysterious tropical mansion cohabit the supposed owner, a friar, a convalescent pilot, the Haitian servant, the mercenary guardian and the Machiche, a mature and dominant female. A young model arrives there to unleash all kinds of passions.

Dramatisation of the massacre which took place in Colombia in 1948, as a result of conflict between conservative and liberal forces, and concentrating on the character of a former cheesemonger-turned professional killer.

August 6, 1956 during the military dictatorship of Rojas Pinilla. A military convoy loaded with dynamite explodes in the center of Cali, destroying a good part of the traditional buildings of the city and exposing the roots of some houses that for years had kept the secret stories of their inhabitants.

Irene, a young singer who works at the fruit market, and Joaquín, a poor and hungry mechanic new in town, fell in love and struggle against violence in cold Bogotá.

A photographer view of life and the controversies around him in a little, tropical Colombian town.

View of the murder of her mother, Laura decides to talk to her spirit, to tell her who killed it. Therefore, leaving murder to find out in the afterlife.

Jaime Flórez, a shrewd provincial, has a stroke of luck when he is treated as a king in a town that confuses him with an important international diplomat.

Two communist lovers prepare to move to the Ukraine and work on a collective farm. Meanwhile, a celebrated pop singer visits their small town, and secrets are revealed.

Using the unfinished film, ANGELITA Y MIGUEL ÁNGEL, by Andrés Caicedo and Carlos Mayolo, as a structuring device, friends of prolific film critic and writer Andrés Caicedo, an unforgettable figure of the group of Cali in the 1970s who left an incredible amount of texts, reflect upon his life, his work, and his suicide at the age of 25, testify to his influence in the cultural life of Colombia, and remember his strong and touching personality.

A young peasant girl emigrates to Bogotá to become the servant of a middle-class family with problems of their own.

Colombia receives the indemnity for Panama and accepts foreign credit to undertake development works, which increases the number of workers, although with poor wages and terrible working conditions. María Cano, a political activist, began her fight for the conditions of salaried workers and for the fundamental rights of the population.