Exploring the Set of 'Moonrise Kingdom' 2015
Martin Scali, who was Wes Anderson's assistant on "Fantastic Mr. Fox", shot this short documentary in Newport, Rhode Island, during the filming of "Moonrise Kingdom".
Martin Scali, who was Wes Anderson's assistant on "Fantastic Mr. Fox", shot this short documentary in Newport, Rhode Island, during the filming of "Moonrise Kingdom".
Join legendary director Martin Scorsese, and acting icons Robert De Niro, Joe Pesci and Al Pacino going behind the scenes of their universally acclaimed movie.
Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail-Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.
This visual essay sets clips from Robert Bresson's "A Man Escaped" to a reading of "Functions of Film Sound," a chapter from David Bordwell and Kristin Thompson's book "Film Art." The chapter analyzes the sound design of Bresson's masterpiece as a means of discussing the use of sound in film.
Actor Tom Gaman (Simon) narrates some 8mm movies shot during the film's three-month production and shares memories of working on the movie during his summer vacation.
A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.
A look at the making of Federico Fellini's "I Vitelloni".
This short documentary features interviews with film scholar Callisto Cosulich, BICYCLE THIEVES coscreenwriter Suso Cecchi d’Amico, and actor Enzo Staiola. The interviews were conducted in Italy in 2005.
“This video interview with director Milos Forman was conducted in New York City in 2001.
Introductory piece to Alexander Payne's student film "The Passion of Martin" included on the Criterion Collection release of Election (1999).
Documentary about the technical achievements of the 1940 film classic The Thief of Bagdad.
Program about the making of the film, featuring behind-the-scenes footage and interviews with actors Reika Kirishima, Hidetoshi Nishijima, Masaki Okada, Park Yu-rim, Jin Dae-yeon, and others
This documentary features new interviews with producer-director Barbara Kopple, cinematographers Hart Perry and Kevin Keating, associate director Anne Lewis, and three people featured in HARLAN COUNTY USA: United Mine Workers organizer Houston Elmore, miner Jerry Johnson, and strike activist Bessie Parker.
A new documentary by Daniel Raim and Eugene Suen on the making of "Flowers of Shanghai," featuring behind-the-scenes footage and interviews with Mark Lee Ping-bing, producer and editor Liao Ching-sung, production designer Hwarng Wern-ying, and sound recordist Tu Duu-chih.
Time Travelers, a new documentary by Daniel Raim featuring interviews with John Bengtson and film historian Marc Wanamaker, reveals newly discovered connections between Buster Keaton’s MGM debut and the earliest films of his career.
A new conversation between author Dave Eggers and the Coen Brothers about the production, from inception to release, of 'Blood Simple'.
This documentary traces the "physical history" of Fritz Lang’s M, from its production and original distribution to the digital restoration used as the basis for this edition. It includes a look at the French-language version of M but was produced before the discovery of the English-language version.
CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.
In this interview, conducted in spring 2021, scholar Nick Rees-Roberts traces the influence of La Piscine on the worlds of film and fashion in the half century since its release.
In this interview, shot by the Criterion Collection in 2018, Ron Briley, author of 'The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films', discusses the origins of the Lonesome Rhodes character in the biographies of populist celebrities such as Will Rogers and Arthur Godfrey. He also addresses the political implications of 'A Face in the Crowd' (1957) within the context of Kazan's career.