A holocaust survivor now living as a respected writer in Manhattan is the only person who can identify a suspected Nazi back in his native Austria. When a beautiful reporter eager for a scoop tries to lure him back, Geburtig must decide whether to confront his past.
Reality in Mozambique resembles an unreal nightmare: South Africa refuses to accept the autonomy and independence of this country. More often than not, children are the victims of this situation. Not because they are killed but because they are made into instruments of death. Children in Mozambique are abducted by the Contras and forced to act as murderers of their own people. Their traumatic experiences (abduction, torture, being trained to kill, flight or liberation) and the efforts of the Mozambique government to reintegrate them into society form the basis of this film.
Fragmented stories about the big city, loneliness and the need to communicate.
Documentary that follows the lives of several Jewish refugees who fled to Shanghai during WWII.
A woman searching for the traces of her mother in herself. Live, re-live.
Film by Lukas Stepanik.
Paul, a famous composer living in Ibiza, is accused of having seriously mistreated his ex-partner Irene.
Lisa has grown up in an orphanage. She is looking forward to her adoption, as she doesn't know that her new parents are about to divorce. The Saber-toothed cat which she meets in a museum intervenes as a "feles ex machina".
In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.
A portrait of the poet Jana Černá, daughter of Franz Kafka's lover Milena Jesenská. Behind the bright facade on contemporary Prague, with its travel agencies and McDonalds, there is a tunnel leading to the world behind the postcards. Here, Jana's friends, Prague freaks, poets and philosophers, tell of this exceptional, passionate woman. With the surreal humour of Prague and with a little nostalgia they recall Jana Černá's excesses, her inability to follow rules, and her magnificent lies...
A seven-year-old girl living in Salzburg with her father makes friends with an old witch.
In the 16th century, young men put themselves in great danger to look for mysterious crystals in a tunnel in the Styrian Erzberg. Some of them never returned from searching for this symbol of perfect love. In the 20th century, the student Barbara tries to pursue this legend of her home town.
The documentary film portrays two families whose fathers were educated at boarding schools in Nazi Germany called "Napola" (Nationalpolitische Erziehungsanstalt, National Political Institutes of Education).
19 months after the fall of the dictator Somoza, the Austrian film team travels across Nicaragua for seven weeks (from August 4th to September 20th, 1980) and gathers information, mostly from farmers, workers, market women and soldiers. We are shown life in the Fincas, the agricultural co-operatives, in a banana plantation of Standard Fruit, a private corporation, in the "Carlos Roberto Huembes Hospital" in La Esperanza which is run by Austrians. A report on Nicaragua of 1980 which discusses the dream of the murdered freedom fighter of Nicaragua, General C.A. Sandino and whether it has been realized and answers this question affirmativeley. In spite of the present and threatening difficulties, the film is optimistic.
One-of-a-kind film, photographs and audio recordings were found in a private collection in Prague. This material documents life in the Theresienstadt concentration camp from the perspective of a woman who would now be 124 years old.
The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.
A curator and a visitor walk through an imaginary museum of recent German history. The focal plane follows the scenario of a tour in that the (subjective) camera simulates a stroll through a museum: in an open field, however.
