TRT

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, while the immigrant masses struggle with hunger and epidemics. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis - and, as a result, by massive crop failure. Professor Erol Erin, a seed genetics specialist learns of Cemil Akman, a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds - but the work was banned by the corporation..

An authoritarian father, who makes his living in a mountain village with tree trade, has a deeper problem with his family due to his oppressive and unjust behavior. The way out of this psychological crisis that the family is in depends on the ability of family members to forgive each other.

Living on his own under a modest roof, Sami makes a living as a mural painter. One day, he learns that his doting grandmother has passed away and left him a small chest full of calligraphy materials. At first, Sami rather dismisses the contents of the chest, so much so that he even considers getting rid of them. But then he meets Selma at the library where he has been commissioned to do a mural, and the introduction marks a turning point for him. Selma, an attractive and dignified woman with the impeccable manners of an old Istanbul family, once took up calligraphy herself. With her guidance and encouragement, Sami embarks on learning the practice of calligraphy. He is helped in his endeavours by Esref Efendi, a gifted but demanding old-generation calligrapher, whose distaste for the present state of calligraphy has deterred him from taking on students for some time. And the master is quick to steer Sami towards love.

The three human characters are an old man, an old woman, and a young boy, who wander among the natural wonders and give the camera soulful looks.

Mehmet is a man living with his family in a mountain village in the Black Sea region. He earns his living by breeding a few animals, while passionately looking for a mineral reserve on the mountains, but his pursuit is seen useless by his family. Devastated by vain efforts, his hope is renewed with a competition. Mehmet will attend the bull fight held in Artvin, but he returns from Artvin completely lost, once again. This simple story pictures the naive portrait of a touching life, a life struggle in hardship and the relationship between nature, animals and human beings.

Veysi lives in a village in the middle of Anatolia. One morning, when he goes to his barn with his son Mustafa, a pack of wolves attacks on his sheeps and Veysi loses most of them. Thus he wants a better gun to protect his herd, which is Mauser, ‘The king of the rifles’ as they say. Eventually he finds himself in a fight with the wolf and also his brother about their fathers inheritance.

A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.

16 year-old Mahmut’s life consists of feeding pigeons and making money from stealing others’ pigeons. His biggest dream is to have the best pigeons. One day, one of his pigeons escapes and does not return. When Mahmut finds a pigeon nesting on a roof, he meets Ismail, an 8-year-old living in that house. This meeting becomes one of the most important turning point that will affect both lives. Mahmut decides to steal the pigeons to help Ismail achieve his dream.

When his father, who went to Russia for work, could not send money home for a long time, Ahmet starts to work out the school at a mini-market in the luxury site, near the shanty neighbourhood here they live. Falling in love with his classmate Kezban, Ahmet decides to learn how to play basketball when he finds her interest in Erhan, who came to school one day with basketball quipments and clothes. However, there is an important problem to solve; there is no basketball spot in their neighbourhood where they can play basketball. Ahmet tries to find a way to overcome this barrier.

Tarik, 8 years old, lives in the city. He suffers a car accident with his father, who dies, and with his mother, who is in a coma in the hospital. Tarik suffers from memory loss. With no other relatives in the city, he is sent to a village to live with his grandparents. The boy doesn't remember anything, but dreams constantly and connects himself with an animal that lost its mother in a car accident in the village.

Ayşe returns to her hometown in northeastern Turkey to nurse her gravely ill mother. Before she dies, Ayse’s mother tells her that she will leave Ayse her much loved bee hives to manage. Ayse’s modern life has moved her away from the mountains of her childhood – a life in which the bees and their honey were central. But she puts her city life on hold to manage the bees, which provide a distraction from her grief. Ayse slowly starts to work with the local bee keeper to manage the hives but finds the lessons of her childhood are buried deep and the hives are more difficult to manage than she remembers. Ayse’s failure to pay needful attention to local advice sees her mothers bee hives seriously damaged, if not lost forever. What’s more a Caucasian bear becomes a real threat to her hives and her life.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

Derviş Zaim turns his camera into a tragedy in Syria this time and reminds once again the value of telling stories. Flash memory is from a true story; It is inspired by a Syrian military officer secretly taking out 11,000 photographs documenting the regime's violence against civilians and opponents. Losing his ability to speak as a result of an attack, Ahmet starts working in a unit where people who died in conflicts are photographed and recorded. He wants to announce what he sees to the world, and to give voice to stories stuck in war. He has to choose between protecting himself and his wife or fulfilling his responsibility to humanity.

It is near future story in Anatolia. There is no indication of time and place, an post-apocalyptic world that ruled over by primitive technology. Zait, a loyal mine worker who works for a mine factory which is managed by unknowns, declares war against the factory.

Ahmet is married to Sevgi who runs a hair salon in town and their marriage has not been on track for some time. Ahmet suspects his wife has been cheating on him. Ahmet’s in secure and anxious state reaches its peak when he notices a foreigner in town. One midnight, at an old gas station out of town… Mehmet’s phone rings. Ahmet is at the end of the line, panicked and in fear. Mehmet realizes that he has no choice to help his brother. In this long and dark night, the two siblings unexpectedly find themselves in the middle of a homicide they have committed.

Fikret works at the library. He is married and has a ten-year-old son. He literally has a routine life. With his wife leaving home, he loses his ability to continue his daily life. His son suddenly finds himself in the position of his father's father. The film tells the story of a father with high functioning autism and his "normal" son.