The Gospel According to Matthew

The Gospel According to Matthew 1965

7.40

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

1965

Oedipus Rex

Oedipus Rex 1967

6.77

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…

1967

Accattone

Accattone 1961

7.70

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

1961

Mamma Roma

Mamma Roma 1962

7.90

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

1962

Love Meetings

Love Meetings 1965

8.30

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

1965

Handsome Antonio

Handsome Antonio 1960

7.09

Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.

1960

Ro.Go.Pa.G.

Ro.Go.Pa.G. 1963

7.20

Four short films by four different directors dealing with the principles of modern life.

1963

The Lovemakers

The Lovemakers 1961

6.40

The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's nephew Amerigo holds out. Amerigo's stance is weakened when he heads for Florence and meets prostitute Bianca.

1961

The Hawks and the Sparrows

The Hawks and the Sparrows 1966

7.20

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

1966

Adam and Eve

Adam and Eve 1983

5.70

God casts Adam and Eve out of the Garden of Eden because Eve decided to have a fling with a visiting Cro-Magnon named Bearkiller. The disgraced couple find themselves on the outside up against an assortment of various dinosaurs, flying monsters and cannibals.

1983

The Sea Pirate

The Sea Pirate 1966

6.00

A young naval officer becomes a corsair to make enough money to marry a pretty girl, and fights injustice and snobbery to reach home safely.

1966

The Degenerates

The Degenerates 1969

6.70

A series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Like the more famous version made by Federico Fellini, an adaptation of Petronius' Satyricon.

1969

The Mandrake

The Mandrake 1965

5.90

A young man hatches a plan to sleep with another man's infertile wife. Based on the play by Machiavelli.

1965

Corruption

Corruption 1963

7.50

Stefano is a shy and sensitive teenager who has just completed his studies in Switzerland and is considering becoming a monk. But his father, a rich Milanese publisher, who had the ambition to see his son succeed him, refuses and takes him on a cruise with a young woman to take this idea out of his mind...

1963

A Man Called Rage

A Man Called Rage 1984

4.90

In a post-apocalyptic world, a soldier of fortune enters "The Forbidden Land" to find uranium that will help save mankind. However, a rival adventurer is also after the uranium, but for his own ends.

1984

Bora Bora

Bora Bora 1968

4.80

A Frenchman finds his runaway wife on an island in the Pacific.

1968

La bella di Lodi

La bella di Lodi 1963

5.20

Story of Roberta, a beautiful young woman from a wealthy industrialist family and her relationship with Franco, a rough car mechanic and stranger whom she meets on the beach of Forte dei Marmi.

1963

The Witch

The Witch 1966

6.50

A historian goes to a castle library to translate some ancient erotic literature. While there he discovers what he believes to be supernatural forces at work.

1966

A Woman in White

A Woman in White 1965

5.00

Claude Sauvage, a tenacious young gynecologist takes a months long internship in a Paris hospital. Between her private life and medical career, she set her doubts and desires in a society where the square and the plight of women remain at that time a secondary issue. The film follows Claude and the staff through the case of some patients while the crucial debate on women's professional ambition, contraception and abortion rights.

1965

Scouting in Palestine

Scouting in Palestine 1965

7.20

In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.

1965