I Can No Longer Hear the Guitar 1991
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
Zero is a police officer in his mid thirties, pacing the streets of Casablanca, surrounded by loss and futility, and the corruption of everyone around him.
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
Set in the Lisbon during the festivities of Saint Anthony, the patron saint of lovers and the old town. The story is about Cato, a nationalist politician who is charismatic and unscrupulous. He obsessively pursues Silvia, a mystical and mysterious young transvestite whom he meets at the festival. When Silvia runs into Vicente, a policeman who arrests transvestites and threatens them, Silvia must look towards blackmail to save herself. Compromising photos of Cato start to emerge among opposition parties and he must do all in his power to save his political career.
Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.
Emmanuel, 37, lives in Paris with his wife, Irene, and his daughter Anne, 14 years old. He accidentally discovers that Irene is receiving mail in the remaining mail. She refuses to follow Emmanuel to Italy where he has to write a biography of Filippo Lippi. Distraught, Emmanuel decided to leave immediately for Florence.
In this heartwarming docudrama, Chilean immigrant Marilú Mallet strives to make a film about her experience of deep isolation. Her English-speaking husband, a prominent film director, criticizes her subjective approach to filmmaking; her young son, raised in Quebec, speaks only French. Interviews with Isabel Allende and other Chilean exiles reveal a deep bond in this powerful and resonant film about language and genre, exile and immigration.