Contempt

Contempt 1963

7.10

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

1963

The Nun

The Nun 1966

7.21

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

1966

Lola

Lola 1961

7.11

A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.

1961

Cléo from 5 to 7

Cléo from 5 to 7 1962

7.70

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

1962

Pierrot le Fou

Pierrot le Fou 1965

7.40

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

1965

The Carabineers

The Carabineers 1963

6.50

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

1963

La Collectionneuse

La Collectionneuse 1967

6.90

A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

1967

Le Doulos

Le Doulos 1962

7.40

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

1962

Made in U.S.A

Made in U.S.A 1967

6.10

Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.

1967

Bluebeard

Bluebeard 1963

6.40

Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.

1963

The Fiancés of Macdonald Bridge

The Fiancés of Macdonald Bridge 1961

6.50

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

1961

Léon Morin, Priest

Léon Morin, Priest 1961

7.04

The widow Barny lives in Nazi-occupied France, looking after her half-Jewish daughter in a small village. When the Germans arrive, she decides to baptize her and chooses priest Léon Morin to do so. After spending some time with him, the relationship with her confessor turns into a confrontation with both God and her own repressed desire. 

1961

A Woman Is a Woman

A Woman Is a Woman 1961

7.30

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

1961

Adieu Philippine

Adieu Philippine 1962

6.80

Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow.

1962

The Third Lover

The Third Lover 1962

6.20

The story of a journalist in southern Germany who stays with a novelist and his wife and gradually begins to destroy the young couple's lives.

1962

The 317th Platoon

The 317th Platoon 1965

7.40

In Laos, 1954, eight days before the french defeat in the Indochina war, the 317th platoon – four french soldiers and 41 laotian combatants – has been ordered to leave its outpost and to retreat for the plains of Diên Biên Phu, where the french army is getting stucked. Led by the inexperienced and idealistic sous-lieutenant Torrens, fresh out of the military academy, and by adjutant Willsdorf, a WWII veteran of the Werhmacht, the group must cross 150 kilometers of jungle. But dripping rainwater, hostile nature, and the Viêt-minh ambushes expose them to constant danger.

1965

The Hired Killer

The Hired Killer 1966

5.50

Hit-man Clint Harris has one more job to do before he can retire. The corporation which hires him demands that Harris "erase" an ex-employee who has become a snitch for the police. At first Harris refuses but when his own brother is assassinated he accepts the job.

1966

The Blue Panther

The Blue Panther 1965

4.90

Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger entrusts her with false jewels that contain a virus powerful enough to destroy all humankind.

1965

Les baisers

Les baisers 1964

1

A portmanteau film in which the producer, instead of as usual using already well known directors with a commercial draw, allowed five new young directors to each have a crack at an episode about romance.

1964