15-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.
An elderly couple and a younger man and woman follow up failed seduction attempts with conversation about love and the meaning of life.
A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.
Jacob Berger’s film shows a day in the life of a family. People meet and leave, and wonder, will they find themselves again? At daybreak, Serge believes he has committed a crime. Pietra realises that she has been betrayed around midday. At one o’clock 8-year-old Vlad feels lovesick for the first time. The day is spent observing, looking, avoiding and meeting each other. One day, three different perspectives: the same evening twilight, the same loneliness. And there is always the stranger who crosses their path. How will Serge, Pietra and Vlad find each other?
Episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France.
I saw this happen : Raye left home. Why ? To see what was waiting for her out there. Europe ! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.
