Émile Durand, an insecticide manufacturer, is appalled to learn that his son Gérard has fallen in love with Suzy, the daughter of a travelling theatre company. Realising his father will never favour the union, Gérard joins the company on their next tour. In an attempt to heal the rift, Durand’s wife goes after Gérard and ends up performing in their next play…
The cub journalist comes to the aid of a recently remarried woman, whose late criminal husband turns out to be still alive.
The story of the children of Captain Grant.
"Le Saboteur" is the second episode of the collection "Les batailles de la vie"
The story of "Jack" is well-known. It is a beautiful story of a natural child. His mother, Ida de Borancy, worships the dear little nameless and fatherless being whom she decides, as he is getting on in years, to place in a boarding school. The child's professor of literature is a certain Amaury D'Argenton, a failure of the faculty, and an uninspired poet. During one of her visits to the institution, Mme. de Borancy is attracted by D'Argenton, and falls in love with him. The "Ne'er-do-Well" soon gives up his starving position and makes his abode with her, exercising over her absolute control. He soon learns to hate little Jack and forces her to leave him permanently at school. The poor child, unaccustomed to the separation, runs away, only to find, when he arrives at his former home, that his mother has moved and is now living thirty miles away. He undertakes the journey on foot, and reaches his mother's house completely exhausted. Here he meets Dr. Rivals and his daughter, Cecil.
Funnicus is hunting, while at his home many of his friends await his return very impatiently. Suddenly he makes his appearance, his game-bag full, of newspapers. He tells his friends that he actually disdains small game, and to illustrate the story of his wondrous adventures, turns the house topsy-turvy. His wife, alarmed, advises him to go to bed and calm his excited brain. Nightmares disturb his sleep. He finds himself in Africa, traveling on camel, accompanied by many guides. He arrives at an Arab's camp and jests with the Arabian maidens who, for revenge, put out his fires in the forest the following night. The fires out, the wild beasts arrive, and he just has time to climb a tree where he is out of reach of two big lions, who wait for him at the foot of the tree. Our great Hunter courageously risks his life by descending from the tree. He tries to strangle the lion, but suddenly awakens and finds himself clutching at his wife's throat.
Willie loved his mother. Yes, and he was selfish about it, too. He didn't want a new father and when the old Baron Anatole called lo pay attention to Mrs. Darfeuil, Willie made it most interesting for him. The cute little fellow was original in his methods and the thorough manner in which he demonstrated his dislike for the Baron is certainly amusing. The youngster who plays Willie, is a very clever little performer and the comedy situations are handled in such a laughable manner that the subject is indeed an enjoyable one.
Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.
Willy wasnt very proud when he arrived home, for once again he was at the bottom of his class. As punishment his parents informed him that he would not be allowed to see the Conjuror...
A Nick Carter serial
Émile Cohl produced independently an animated series titled "Les Aventures des Pieds Nickelés". There were four series of these produced, all released between 1917 and 1918.
A mother loses first her son and then her husband in the trenches of France during the First World War. She devotes herself to the French cause and to helping those wounded in the war.
The stick man Fantoche is looking for a home, but there doesn't seem to be any room anywhere, not even in Hell.
An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.
Paulin Broquet, the great Parisian detective, has brought the notorious bandit, Zigomar, to justice. Determined not to let the law punish him, he had taken poison in the Hall of Justice. Then he was brought to a hospital where he lay motionless and was visited by hundreds of persons. Among the visitors was a slender woman, dressed in black, who secreted herself in the hospital, and, when all the others had gone, went to the bedside of Zigomar and administered an antidote for poisoning.
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.
