A Fistful of Dollars

A Fistful of Dollars 1964

7.80

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

1964

Black Sunday

Black Sunday 1960

7.45

A vengeful witch, Asa Vajda, and her fiendish servant, Igor Jauvitch, return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, Katia. Only a handsome doctor with the help of family members stand in her way.

1960

PlayTime

PlayTime 1967

7.70

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

1967

French Cancan

French Cancan 1955

7.10

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

1955

Violent City

Violent City 1970

6.01

A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.

1970

Maigret Sets a Trap

Maigret Sets a Trap 1958

7.00

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

1958

Totò, Vittorio and the Doctor

Totò, Vittorio and the Doctor 1957

5.10

The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.

1957

Sacco & Vanzetti

Sacco & Vanzetti 1971

7.60

Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.

1971

Grand Slam

Grand Slam 1967

7.10

Professor James Anders is a seemingly mild-mannered teacher, an American working in Rio De Janeiro. Anders, bored with years of teaching, decides to put together a team to pull off a diamond heist during the Rio Carnival. Four international experts are brought together to carry out the robbery: a safe cracking expert, a master thief, a mechanical genius, and a playboy.

1967

La cambiale

La cambiale 1959

6.40

The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.

1959

Crime on a Summer Morning

Crime on a Summer Morning 1965

6.50

An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.

1965

Gli onorevoli

Gli onorevoli 1963

6.80

Some political candidates are determined to win the electors' preference during an election campaign in Italy.

1963

Toto in Madrid

Toto in Madrid 1959

6.40

When the swindler La Spada and his accomplice José come out of jail in Madrid, they decide to pull a really great swindle: nothing less than to discover and sell a third picture of the famous Goya's Maya. They engage the renowed Scorcelletti who can imitate any picture and who lives in Rome. Afterwards, with the help of the beautiful Eva, they convince the celebrated art critic Francisco Montiel of the existance of a third Maya and let him find the picture. When the swindlers are on the point of selling the faked maya to an American millionaire, Scorcelli comes back from Rome to sell one of his six other maya pictures.

1959

Gunfight at Red Sands

Gunfight at Red Sands 1963

4.30

An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.

1963

Toto in Paris

Toto in Paris 1958

6.20

Duclos's son, a worldly gangster, is compromised in a case of which he is innocent. The proof of this innocence is in the hands of a "competitor", the Marquis de Chemantel de Beauvoiron, a misguided aristocrat. He asked for $ 10 million to cede the document. Duclos will then imagine Chemantel contracting $ 10 million in life insurance for his son. As he discovered in Rome a tramp, a look-alike of the marquis, he will bring this man to Paris and arrange for him to die accidentally.

1958

Bullets Don't Argue

Bullets Don't Argue 1964

6.10

On his own wedding day, sheriff Pat Garrett must leave and try to arrest two bank robbers.

1964

An Eye for an Eye

An Eye for an Eye 1957

5.80

In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.

1957

Wasteland

Wasteland 1960

5.80

On the outskirts of Parisian council housing estates lies a vast wasteland that still retains its mysteries in this day and age, and serves as a refuge for people who, in their spare time, escape or are often ejected from their overcrowded dwellings. They form small, rather harmless bands, share their first secrets, build up their "treasures" and submit to strict rituals. The sanctity of their rebellions is underscored by initiation through blindfolded jumping and a blood test. An impossible love story is born between two members of the same clan, Dan, a beautiful, tomboyish girl, and Lucky, a sweet but feisty boy.

1960

We Are All Murderers

We Are All Murderers 1952

6.80

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

1952

Seven Guns for the MacGregors

Seven Guns for the MacGregors 1966

5.20

Ranch owner MacGregor has seven sons and oldest Gregor leads his brothers to Las Mesas, a small town where they want to sell horses. They get into trouble with local people who are related with evil Santillana. After getting imprisoned and losing their horses they decide to go after Santillana's gang.

1966