There seems to be no end to the things Paolo can learn from exploring this mountain, which he has chosen as his home for several years now. Sometimes he also feels like a spirit, and Laki, his old dog, becomes his guide. Where will it take him? To paraphrase Suzanne Simard, this film is not about how we can save the mountain. It is about how the mountain could save us.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
The true story of Andrea and Franco Antonello, a father and autistic son who traveled by motorbike for three months between the United States and South America.
Tommaso meets Stefania. They like each other, they fall in love, they get married. A child is also born. It all started very well, it evolved well, then discreetly, little by little until the crisis. It seemed impossible, yet the love, which seemed really solid, perhaps fell apart, even turning into hatred. Who knows if there is still time to do so. Volo, ex Jena, tries to be a real actor. An appeal test is required.
A tragic event shatters a rich art collector's life, awakening her primal nature. She destroys her privileged existence to build a new concept of family, leading her on a path of destruction and animalistic transformation.
A woman wanders in a big and empty parking lots following a man who she seems to want to ambush. From her gestures something furious and menacing emerges. Everything seems to draw back to a woods beyond her abandoned home, a place that hides the true nature of her actions.
