They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.
Dan is a young man who spends a lot of time in his flat. His routine is always accompanied by electronic music pumping through his headphones. But when he steps outside, he feels disconnected from the world around him and only finds solace in nightclubs. Techno music and drugs transport him to a world where he can be himself, where he feels free. One day, he catches the eye of a baby which will change his perception of the world around him.
In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.
Valentina creates roses out of wool while her father tends to the plants, which are now wilting. They are surrounded by “MUOSters” that intrude into their lives. One day, the young woman realizes that thanks to her ability to create beauty, she is able to change her destiny.
Around a fire in the middle of the forest, two former members of the armed anti-capitalist group La Bande à Fasel meet three young activists from the Mormont ZAD, XR Rébellion and anti-racist groups active in Switzerland. During a night as blank as a page, the five characters reflect on revolt, its forms and its limits, past and present.
A cinematic journey into one of the greatest European noble families, the Radziwiłłs. Even the King would stand up when Radziwiłł the Black entered the room. Members of the Radziwiłł family weren’t afraid to defend the Reformers when the fires of the Inquisition burned across Europe. It was a Radziwiłł who went on one of the most challenging pilgrimages from Vilnius to Jerusalem and then published an account, becoming the pioneer of travel literature. A mix of documentary and fiction, past and present, and history and its re-enactment, brings to life the essence of a once-popular saying: “I don’t want to be a king. I want to be a Radziwiłł.”
In a hidden place, the daily routine of a retirement home unfolds as time seems to stand still. The penciled residents come to life on paper. Some are active, others rest or follow a fixed schedule that repeats each day: medication, meals, games… Around them, machines are flashing, caregivers are busy and crucifixes remind them of the death that lies in wait. Time fades away and a forest stretches out nearby.
This documentary explores the life of fiery 20th-century Swiss painter Lélo Fiaux, who pursued art and love with passion.
Two women, a psychologist and a police officer, engage in a challenging mission - to reduce the record suicide numbers in their rural hometown in Lithuania. Valija and Gintare provide door to door empathy and compassion, healing the loneliest members of their community. As fear of losing another life reaches its peak, the women form a resourceful friendship and together they succeed to ease the crisis and prove that suicide prevention can be effective. The observational camera makes the audience witness and finally understand how they really succeeded in tackling this complex issue.
A woman fishing in turbid waters, a suffering nature, the broken chant of the muezzin, all linked by a thin black line.
A film about the four-year journey of a girl named Rupa. It is the story of her dream and her endeavor to escape from a predetermined destiny. The tea gardens lost in the misty hills of northeastern Bangladesh are the background to Rupa’s struggle. She fights against a life of hardships and against the perspective of an arranged marriage. Will she search independence or give in to the pressure of this ancient land?
In the midst of a personal and professional crisis, I begin to film everything obsessively: my parents, grandparents, children, friends, lovers, myself and psychotherapy. Some of the footage is consensual, some is "stolen" and some is footage taken over a lifetime, seemingly with no other purpose than to look at me: who am I? By putting all this material together, the personal-intimate becomes narrative: my recent break-up, my parents' break-up, my inadequacy as a mother. The result is a kind of intimate diary that, in becoming public, is perhaps obscene. But where are the boundaries between what should remain private and what can be shared? Even more so today?
