Staragara

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

Nadia is an apathetic 16-year-old girl living in Trieste. She has no friends of sorts, in or outside school. One day, she takes a walk with local no-good Brando, and the boy rapes her. From that moment on, Nadia's life changes forever.

When a man known as Oroslan dies, the news quickly spreads through a little village, causing grief and emotion. Later on, actions become words and words become stories. In order to overcome the sorrow and restore the natural flow of life, the villagers start sharing their memories about Oroslan, re-creating his image through their tales.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

Dusan and Laza are traveling through Eastern Serbia to Belgrade. Terminally ill, Dusan has to find a new home for his son Laza, to whom Dusan is all he has.

Russian front, January, 1943. It's hell: the flurries of sleet take the breath away and Sergeant Bisi can make out nothing in the landscape in front of him.

A young woman struggles to cope with her elderly father's out-of-the-blue announcement he considers his life complete and will end it by his next birthday.

Life Is a Trumpet has a loose jazz musician as the groom, a butcher as his father, and two families of different backgrounds whose members are not as different as one might expect.

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.

After his mother passes away, Rein moves to a small village in the Alps to be immersed in nature, meditate and work as a snowboard teacher. His quiet bubble bursts when his extroverted father Gijs comes to visit. But it isn’t long before Rein has had enough.

A man stays alone with his children in a half demolished house in the middle of a desolate field. His wife has just been killed by a grenade in a military battle. He is expecting a new attack. Instead a wandering caravan called Circus Fantasticus stops by the house. They bring along the dying director of the circus. Is it possible for anything beautiful to happen in a landscape of war and death? Can life go on? Is it possible to realize that death does not exist?

A Man, a Woman and a Boy. Three people in a timeless landscape. They don't know each other, their cultural background is undefined. They try to survive, each on his/her own. Slowly they start to get in some contact which is utterly mistrusting and occasionally hostile, but through various different situations it gradually starts to develop into relationships.

Viktor and Ana have been together all their lives. They only have each other.

Caught amid a violent corruption affair, a young woman is forced to make an impossible choice between the man she obsessively loves and her newborn son.

Angela is a dedicated and sensitive carer. She is a widow. Her husband, as many other workers in the area, died from asbestos-related diseases. When the man responsible for the many deaths, now crippled, is hospitalised, she accepts his son’s offer to become his caregiver, hoping to take her revenge.

On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.

A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.

The newest tycoon Robert wants to gets his hands on the land where the driving school stands and build a modern shopping center in it's place instead. It is during this acquisition that lands him in an altercation with Instructor Jože, whose wife left him and Roberts daughter Lija. Lija is determined to go to driving school in spite of his father's prohibition. Besides the tense that portray the ruthlessness of our world, the story offers a range of warm and interesting human relationships seen as part of our everyday lives.