TC Filmes

In a crime-plagued area of Rio de Janeiro, a team of honest cops, including a determined rookie, fights corruption and mistrust on all sides.

A 40-year-old world-famous chef with anger management issues is assigned to run a cooking class at a centre for young people with autism.

Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.

Regina and Valerio are a happy and sexy couple, casually enjoying their fortune from their luxurious villa on top of the Rio de Janeiro’s hills. Since the death of Valerio’s father, the biggest mobster in town, they desperately seek a way out of this criminal hornets’ nest. But Valerio’s uncle, Linduarte, insists on him assuming his responsibilities. One night, attempting to reason with Linduarte, the couple accidentally kills him. They then fall into a spiral of violence, leading them onto the very path they wanted to escape.

The passing of the years is merciless for everyone. In the film, seven seemingly ordinary characters lead their lives seeking, each one, what they believe brings personal satisfaction. But, even with different and distant lives, they come closer by the way they guide their existence based on worldly concerns.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

In Brazil, in 1978, under the dictatorship, the country lives the euphoria of disco fever and the fantasy life of Dancin' Days, a prime time soap. After a fatal incident, Amanda, a high-class prostitute addicted to TV, and her maid Dora, are forced to flee São Paulo to Rio. While Amanda dreams of visiting the Dancin' Days disco, Dora prepares to confront her secret past. Their destinies will eventually intersect with those of João Paulo, a diplomat who feels like a foreigner in his own country, the revolutionary Vicente and his brother Pedro, and the teenager Caio, raised by his grandparents and relying on the support of his friend Mônica as he struggles to be accepted as a gay man. Both youngsters are crazy about disco fever and fascinated by the soap Dancin' Days.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.

In crisis after killing an innocent during action in the favela, a police officer is introduced into the unit of the "Ninjas" - extermination group that is dedicated to sadistically eliminating suspects of violent crimes.