Shin Films

A middle-aged man is laid off from work but is too proud to tell his family. His children, however, learn of the situation and take jobs of their own to help him save face.

Prince Yeonsan-gun turns into a tyrant out of grief for his mother's death. He orders beheadings of all the officials who displease him or who advised the previous king to depose the queen. He becomes crueler by the day. But in 10th year of his reign, he is kicked out of the throne and dies a tragic death.

Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon

Six-year-old Ok Hee is glad when Mr. Han comes to board at her house full of women. She plays messenger for Mr. Han and her widowed mother as they quietly fall in love, but is her support enough to guard their love?

Captain Kim is grievously wounded in the first days of the war. When the northern troops continue their advance, his wife and small daughters flee south to Taegu, dragging him along in a two-wheel handcart. His wife struggles to keep herself and their surviving daughter alive. Working as a market trader, she meets a kind young man -- who happens to be tall, dark and handsome.

Deaf Sam-yong is a 1964 South Korean film directed and produced by Shin Sang-ok. It is based on the 1925 short story of the same title by Na Do-hyang and revolves around the story of a deaf farm hand who is in love with a landlord's daughter-in-law.

Iljimae's parents were killed due to a conspiracy when he was young. Many years later he became a chivalrous robber, robbing corrupt officials and helping the poor. He eventually manages in taking revenge for his parents' deaths. But the police start to chase him, and he hides himself at a gisaeng's house. The gisaeng was his ex-fiancee. She also lost her parents to a conspiracy. She begs Iljimae to stay with her, but he leaves to do what he has to.

Yeong-shin and Dong-hyuk graduate from college with a cause. They plan to bring education and modernization to farmers living in the rural area of their hometown. When they arrive, the pair immediately get to work, Dong-hyuk builds a village hall and starts aiding the farmers while Yeong-shin tries to gather the children to form a school. However, the villagers at first resent and resist the pair. It is not until one child, Ok-bun, takes the initiative and and learns to read under Yeong-shin’s care that the villages trust the pair and allow their children to be taken from the fields and taught reading, writing and math.

An oriental doctor Kim Hak-gyu is a cantankerous man who is the longest-term householder in a small village in Seoul. He often causes domestic trouble by being nasty to his wife and his children. Kim Hyeon-ok, a daughter of a young widow who runs Nahana Beauty Shop, is in love with Choi Du-yeol, an obstetrician across the street. Kim Hak-gyu has great distaste for western medicine, and at the same time, is jealous of the obstetrician. He always gets in the way of Choi Du-yeol. Kim's son, Hyeon-gu, dates Jeom-ryae, a daughter of a bar owner.

Lee, Yun-bok in his fourth grade lives in a poor family. His father is indulged in gambling, and his mother, who can no longer tolerate the cruelty of her husband, leaves home. Yet, Yun-bok comforts his younger brothers, makes a poor living by shining shoes, and keeps his journal everyday.

A romantic Han Dynasty adventure epic of a dying Emperor, an Evil Queen, a beautiful Princess, a dastardly royal nephew, and a masked hero, with plots and counterplots galore, complete with cliffhangers and last-second rescues.

Teacher Waryong retires after 37 years of teaching. He sets out to visit his former students living in Seoul. While those who establish themselves successfully show only indifference to him, those who are poor but honest heartily welcome him. Teacher Waryong helps the less fortunate former students.

A historical drama about Prince Yeon-san of Joseon as a prince trying to restore the status of his mother, the deposed and executed Queen Yun.

Park Nam-ho works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui, in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-ho is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-soo, she goes to live in Seoul. When Nam-woo comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter.

With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile. This humanistic tale will inspire and hearten even the most cynical viewer.

The widow of a nobleman bears a son after having an affair with her servant. The servant and the baby are driven from the home by the woman's irate in-laws when the truth is discovered. Even after the child is grown, no contact is allowed between he and his mother who now denies the events of her past.

A nobleman sends his daughter to the king as a concubine in order to gain personal power and favors from the monarch. Her lover follows her into the palace disguised as a eunuch. They continue to meet in secret until discovered and sentenced to death.

A thousand-year-old snake that has transformed itself into a human, Madame White Snake (Choe Eun-hui), falls in love with a young pharmacist named Heo-Seon. Although they encounter difficulties, they are wed, and their love for each other does not change. However, Beophaeseonsa (a Zen priest) and Gwaneumbosal (the Buddhist goddess of mercy) order Madame White Snake, who had transformed into human without being granted permission to do so, to return back to the world of the gods before July 7. Grieving, she prepares to say goodbye to her beloved husband. But before she can return to the world of the gods in time, she falls into a trap set by Dae-yun (Choe Sam), who is attracted to her. Because of the trap, she is not able to keep the promised deadline, and ends up risking her life to save her husband.

An Emissary of No Return retells the story of a real historical event in 1907 known as the Hague Secret Emissary Affair. Korea had been colonized by Japan. In order to protest to the international community, the Korean emperor king Gojong sent three secret emissaries to the talks of the Hague Convention of 1907, to get the great powers to overturn the Japan–Korea Treaty of 1905.

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.