El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.
Due to many reasons, ranging from insecurity to trauma, a group of people have gained a lot of weight in recent times.
Manuel, Ana and Julio get together in a warm summer night after not having seen each other for a while and set off to explore the night.
When the retired seventy-seven years old hypochondriac widower Fred moves to an apartment in Madrid, his temperamental daughter Cuca has an incident with his next door neighbor, the elder Argentinean Elsa. Later, they meet each other and Elsa seduces Fred with her reckless behavior and view of life and they have a romance.
Jorge is a young man whose plans for the future are put on hold when his father has a stroke. For seven years, he diligently nurses his father and works as a janitor while studying part time to get a business degree. When Natalia, his childhood crush, returns from a stint studying abroad, Jorge begins to yearn for something better. He is desperate to find a new and better job, but finds that no one will hire him because he has experience only as a janitor. Antonio, Jorge’s older brother, soon to be released from jail, is an opportunist who has never gotten along with their father. In prison, at a theater workshop, Antonio meets Paula, a beautiful young woman in jail on drug charges. Paula has a problem because she flirted with another inmate's boyfriend.
Musical spanish comedy.
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
Pudor is about intimacy, about the desires, obsessions, secrets and fears that we keep hidden, even from those we love most. The characters in this story are a man who is going to die, a woman who receives anonymous erotic notes, an older man who is offered a last chance at falling in love, a teenager struggling to handle the doubts generated by puberty and a small boy who sees ghosts. As is the case in many families, in spite of living together, all the characters in Pudor are alone.
