The mysterious and violent murder of a cashier in a remote small-town supermarket – sends her colleague, Orly Blaish, a conservative middle-aged family woman suffering from advanced muscular dystrophy, to a tense and turbulent journey into the depths of her sexual identity. She races to her sexual spring before her body betrays her.
In a near future dominated by augmented-reality eyepieces, a troubled young man who suffers from agoraphobia experiences an unlikely transformation when he comes across a mysterious app that transforms every facet of his life into a game.
While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.
