Set in the Summer of 1988 and based on real events, the film tells the story of East-German twins Isabel and Doreen, two aspiring oarswomen, whose lives are changed dramatically during a training camp at Lake Balaton in Hungary. There, the girls make the acquaintance of West-German friends Arne and Nico. The holiday flirt soon turns serious when Doreen and Arne fall in love. As the end of their stay approaches, Arne asks the inseparable sisters to flee to the West with him…
Carla, the runaway with high aims. Lucie, the street girl. Interchanged identities and a shared baby. Collage of a fateful year.
When a photo model gets replaced by a batch of new younger prettier girls, her life of riches melts in front of her eyes and she's forced to live like a homeless person in a parking lot of a high class hotel she once lived in.
16 year-old Georg is forced to leave his home in the West, which means saying goodbye to his two loves; his girlfriend, and his Taekwondo team, something that is all-important to him. Now living in Cottbus, an economically depressed place where the people are not too fond of things like American culture and foreigners living in their country, Georg soon falls in with a group of angry mates. Together the group delves further into a nationalist way of thinking, and soon they are shaving their heads, and becoming a skinhead gang. "Kombat Sechzehn" features some impressive, proffessional looking fight sequences, as well as a memorable soundtrack.
From Emptiness to Infinity pays homage to one of the world's most renowned architects, Japanese minimalist master Tadao Ando (born 1941), offering an exclusive glimpse into his work process. Ando is known for his creative implementation of natural light, his deft interweaving of interior and exterior space and for designing structures that elegantly evoke the contours of the landscape in which they are set. Conceptually and aesthetically, his award-winning exposed concrete designs forge a link between traditional Japanese architecture, Zen and contemporary modernism, while also expressing his fundamental belief that "to change the dwelling is to change the city and to reform society." Directed by Mathias Frick and produced by Susann Schimk and Jörg Trentmann, the film introduces viewers to his world-famous buildings and offers an exclusive look into his work process, as Ando shares his sources of personal inspiration and motivation and looks back over his 40-year career.
Schmitke is an old German wind turbine engineer. One day, he is dispatched to the Czech side of the Ore Mountains to fix an old squeaking wind turbine. His colleague disappears and mysterious things begin to happen in the forest.
The filmmaker, Simon Brückner, goes in search of his long-deceased father, one of the central figures of the German students' movement. A picture of a multi-faceted character emerges and a piece of German history is retold.
After her mother's death, 15-year old Mia moves in with her aunt, the actress Cleo, who lives with her son Fritzi in a shared apartment in Berlin. Mia lingers for stability and attention but in between Cleo's rehearsals at the theatre and her relationally disturbed housemate Elisa, she finds herself in a world of adults who themselves seem to be unable to cope with life.
BANDITS (2003) retraces the roots of the escapade of a group of Georgians in their twenties who hijacked an Aeroflot passenger plane on November 18, 1983 from Tbilisi.
Despite having lived in the East German countryside for several months, teenager Lars and his dad, Henrik, are still treated as unwelcome guests. Henrik is building a “marriage barn,” a proposed bed-and-breakfast for newlywed Berliners.
Eleven young people live in a city. It is midsummer. This is the starting point of the escalation of seemingly harmonious relationships. A postmodern urban fairy tale about loneliness of dependency. About the question of what is greater, freedom or love.
