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Set against the backdrop of Iran's strict and oppressive legal system, this anthology film tells the stories of four men who each face a moral crisis when having to deal with death penalties.

Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.

Ahmad is an exiled teacher living in a small poor village with mostly ethnic Baloch along the Iranian border with Afghanistan. He acquaints a family of illegal Hazara refugees who are fleeing an immediate threat from the Taliban’s rise to power. Soon after Ahmad begins to realize that prejudice and dogma are dictating all of their lives and his perspective on what is right and what is wrong changes drastically. He decides to save a young forbidden love but that decision can have dire consequences for everyone.

This film centers on the story of Reza, a recognized documentary director from Iran. In 2016, after being blacklisted by the Islamic Republic regime of Iran, Reza and his family are forced to leave their home and start anew in Los Angeles. Despite his expertise and talent, he faces numerous challenges, including a language barrier and limited connections in the film industry, that hinder his return to directing. Through perseverance and determination, Reza finds a new passion in film editing. This new-found skill not only gives him a sense of purpose but also becomes his means of overcoming the obstacles he faces.

This is the story of Fahimeh Akbari, a leading lady in the musical and cultural history of Iran, an exceptional talent whose magical voice and unique style enriched both the folklore and urban musical landscapes of Iran, a pioneer who breathed new life into the music scene by introducing and marrying European tunes and rhythms with that of Gilan, Iran. Fahimeh Akbari, a figure so remarkable and revolutionary that her marked absence seems almost mythical. A familiar tale of a female artist mysteriously forgotten and seemingly erased from history books.

When Iranian actress and director Pegah Ahangarani (1984) was growing up, she thought every soldier she saw on television might have been her father. During her earliest years he was fighting at the front, and a portrait of Khomeini hung in a prominent place in the house. But one day the image of the Ayatollah disappeared without explanation and another photo took its place.

Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.

Since her husband's suicide, Saman cannot believe and mentally accept what she sees. She acts as if her husband is still alive. How long will this unnatural state of affairs continue? How does a person who suddenly loses a loved one cope with this harsh reality?

A story about the lives of Leila Avakh and Sedigheh Momennia who have chosen, with much love and passion, carpentry as a profession, a profession that is considered extremely masculine in the traditional society of Iran. As such, these two face many difficulties and obstacles. However, they are determined to prove to themselves and their society that it is not impossible to achieve your dreams. Leila and Sedigheh are amongst the first female carpenters in Iran.

A widow who works tirelessly at a failing factory in sanctions-gripped Iran receives a marriage proposal that could mean financial security — but could also tear her family apart.

Amid a society that clings tightly to its cultural traditions, a translator, writer, and poet finds himself at odds with the government's restrictive cultural structure. With his finances stretched thin and his wife expelled from the university, he retreats to an abandoned house in his hometown. But just as he begins writing a new novel, a looming threat emerges - the rising river that threatens to engulf him and his family. As he battles to keep the floodwaters at bay, he's also fighting against the oppressive forces of the government that seek to silence his dissenting voice. But he's determined to finish his book, even as his situation becomes increasingly dire.

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

Crude Oil comes out of a middle aged woman's body is on one hand empowering her and on the other hand bringing uncertainty and paranoia to her life and when a male paranoia is build up against her body's malfunction and oil is gradually trivialized and just there to solve some small family issues, the condition gets exacerbated with her body.

A 9-year-old girl menstruates after an earthquake and the loss of her family. She knows nothing about what is happening to her, and thinks she has been wounded.