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Carpet dealer and UFO photo forger Arif is abducted by aliens and must outwit the evil commander-in-chief of G.O.R.A., the planet where he is being held.

Year 1977, a September morning in Ankara... Yilmaz tries to rush his pregnant wife Neriman to the hospital and he crushes into Omer's car. This accident causes Omer's pregnant wife Inci, who was in the back seat, to have a pre-term labor. The babies are born on the same day. They see each other for the first time... This accident is the threshold of the coincidences that bring Ozgur and Deniz together.

Two historical incidents that deepened the friendship between Japan and Turkey are connected in this story of friendship and compassion: In the night of 16 September 1890 the Turkish frigate Ertuğrul is caught up in a typhoon and sinks off the Japanese coast. Risking their own lives, local villagers are able to rescue 69 Turkish sailors. Although being very poor and having hardly to eat, the villagers share what little they have with strangers from a country 9,000 kilometers away. 95 years later, during the Iran-Iraq War, more than 300 Japanese are stranded in Tehran. In the morning of 19 March 1985 a Turkish Airlines aircraft takes off for Tehran to evacuate the Japanese. But the remaining Turks at Tehran Mehrabad Airport still need to be convinced that they won't be able to board their own country's rescue flight.

Aziz and Lemi must recover a diamond gifted by the Sultan of the Ottoman Empire to the U.S. President which has been stolen by bandits in the American wild west.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

This is the movie that Cem Yılmaz showed to his audiences before he started his stand-up show in 2000s.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)