Gachot Films

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

The brilliant self-taught pianist Erroll Garner left his mark on jazz forever. His song Misty, which he allegedly composed between two concerts on an aeroplane, immediately became one of the great jazz standards and is still one of the most covered ballads in the world today. Who was the man behind the ever-friendly smile from the ghettos of Pittsburgh, whose talent brought him to the biggest international stages?

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

Martha Argerich is the last remaining pianist of legend. A wild child and a rebel at heart, this legendary Argentinean musician is surrounded by an aura of mystery: some find her too uncompromising, others generous and beautiful, yet to all she is without doubt incredibly talented. Thanks to these "evening talks", Georges Gachot lifts a corner of the veil: Martha Argerich shares with us her memories, confides in us her doubts, and transmits to us her incredible appetite for music making. Images of Argentina, rehearsals in the concert hall or at home, excerpts of recent concerts and archival clips complete this unique film on one of the most secretive and endearing artists of our time.

The director, a passionate musical documentary filmmaker, became fascinated by the machines used in a factory that produces stamped metal boxes. The machines, with their sonority, rhythms, tunes and automated movements, become musicians and dancers in a show that drive the film to play its cinematic score. The soundtrack, composed with workshops sounds only, unfolds as a musical masterpiece performed by machines for iron and bolt dancers, all coming together in a majestic mechanic choreography. The man who conceived and created these « iron monsters » occupies a fragile place in this powerful, metallic world, which is at the same time incredibly beautiful and musical.