RM Associates

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.

The world famous conductor reminisces about his life in a wide ranging discussion about his varied and successful career.

These six video segments (10 minutes each) were originally developed for broadcast on Channel 4 as the second installment in the larger, never completed, series comissioned for Peter Greenaway and Tom Philips' A TV Dante (1989). But it was never aired. Ruiz's treatment of the six Cantos can be taken together as a bridge between his previous visions of hell in Mémoire des apparences AKA Life is a Dream (1986) and La Chouette aveugle (1987) and themore recent series of essay videos that he has made for Chilean television under the title Cofralandes (2002).

This biographical film of Czech composer Martinu is in two parts: the first part is a recurring dream; the second, a Freudian analysis of the dream.

Peer into the world of contemporary composer John Adams with this documentary that blends performance footage with insightful interviews and commentary from his collaborators and the master himself. Highlights include performances of Adams's Grammy Award-winning operas “Nixon in China” and “El Niño” and excerpts from Penny Woolcock’s film adaptation of “The Death of Klinghoffer”. Works by Steve Reich and Conlon Nancarrow are also performed by the Ensemble InterContemporain at the Théâtre Musical de Paris-Châtelet.

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.

Taped live at the Mariinsky Theater in St. Petersburg, Valery Gergiev conducts this landmark production of Giuseppe Verdi's operatic masterpiece. This opera premiered at the Mariinsky Theatre in 1862, and is performed here in its original St. Petersburg version using reconstructions of the magnificent painted scenery.

Le Nozze di Figaro at Drottningholm Court Theater

Adaptation of "Der Prinz von Homburg"; recorded at the Bavarian State Opera.

Recorded at the Vienna State Opera house in 1989, this staging of Richard Strauss and Hugo von Hofmannsthal’s Elektra is one of the glories of live opera on film, deserving of eternal availability. The DVD picture has great clarity, despite the darkness of Hans Schavernoch’s set design. Other than the cliché of a huge statue head, toppled on its side, the set manages to be suitably representative of a decaying palace as well as an imposing, theatrical space, dominated by the mammoth body of the statue from which the head apparently dropped, draped with the ropes that seem to have enabled the decapitation. Sooner or later most of the characters cling to and twist around those ropes, an apt stage metaphor for the remorseless repercussions from the murder of Agammenon by his unfaithful wife Klytämnestra and her paramour, Aegisthus. Reinhard Heinrich’s costumes capture a distant era while sustaining a creepily modern look — part Goth, part homeless, part Spa-wear.

Nancy Shade is persuasive as the awkward adolescent Marie, whose naiveté leads relentlessly to her downfall. Michael Ebbecke is sympathetic as Stolzius, her jilted lover and avenger, while William Cochran is properly brutish as Desportes, the officer who initiates her spiral of decline. Bernhard Kontarsky gets a dedicated response from his Stuttgart Opera forces, who perform with belief in this often excessive but always engrossing work. Recorded at the Staatsoper Stuttgart, 1989.

Live performance from the Opéra National de Lyon.

The Cloud Gate Dance Theatre of Taiwan performs their elegant Tai Chi-based dances to the music of J.S. Bach. Choreography by Lin Hwai-Min. This dance film examines the correlation between essence and appearance, effort and effortlessness, man and woman , all explored using water, mirror, light and reflections.

The war in the South Pacific, a country doctor in Colorado, victims of industrial pollution in a Japanese village — all were captured in unforgettable photographs by the legendary W. Eugene Smith. This program showcases over 600 of Smith’s stunning photographs and includes a dramatic recreation in which actor Peter Riegert (Crossing Delancey, Local Hero) portrays the artist using dialogue take from Smith’s diaries and letters. Interwoven through the program are archival footage and interviews with family and friends of this brilliant, complicated man, whose work developed from twin themes of common humanity and social responsibility.

A documentary about the dancer Sylvie Guillem on her daily round of classes, rehearsals and peformances.

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.