Naughty But Nice

Naughty But Nice 1927

1

Naughty But Nice was based on The Bigamists, a story by Lewis Alen Brown. Gawky country girl Berenice Summers (Colleen Moore) is catapulted head-first into High Society when her Uncle Seth (Burr McIntosh) strikes oil. Shipped off to a fancy boarding school, Berenice suffers at the hands of her snooty classmates, but the last straw comes when she's publicly humiliated by local wise-guy Paul Carroll (Donald Reed).

1927

Ella Cinders

Ella Cinders 1926

7.00

Poor Ella Cinders is much abused by her evil step-mother and step-sisters. When she wins a local beauty contest she jumps at the chance to get out of her dead-end life and go to Hollywood, where she is promised a job in the movies. When she arrives in Hollywood, she discovers that the contest was a scam and the job non-existent. But through pluck, luck, and talent, she makes it in the movies anyway, and finds true love.

1926

Midnight Lovers

Midnight Lovers 1926

6.00

During World War I, a young woman marries a famous flying ace. After the honeymoon, he is called back into service and leaves for the battlefield. Not long afterwards she discovers evidence that her new husband has been cheating on her.

1926

It Must Be Love

It Must Be Love 1926

1

Fernie Schmidt (Colleen Moore) lives with her parents in the rear of their delicatessen. The smells of the business - cheeses, sausages, garlic and pickled herrings - repulses Fernie, who dreams of leaving this environment and moving into a life that's more rarified. Her father, Pop Schmidt (Jean Hersholt) has plans for his daughter to marry Peter Halitovsky (Arthur Stone), a sausage salesman, but Fernie is repulsed by the idea. At a dance, Fernie meets Jack Dugan (Malcolm McGregor), who tells her that he is in stocks, a paper-counter, and she falls for him. Because of her rejection of her father's chosen candidate for matrimony, Pop puts Fernie out of the house.

1926

Painted People

Painted People 1924

1

A 1924 film directed by Clarence G. Badger.

1924

We Moderns

We Moderns 1925

1

A 1925 film directed by John Francis Dillon.

1925

Flaming Youth

Flaming Youth 1923

3.50

When Mona Frentiss dies, she has her confidante "Doctor Bobs" watch over her family, especially her youngest daughter Patricia. The family has been raised in a most unconventional manner, with Mona having a much younger lover and the father Ralph keeping his own lover on the side. As Patricia grows older, she attracts the attention of her mother's former lover, the much older (than Patricia, who in the book is in her early to mid teens) Carey Scott. Patricia tempts fate with her wild ways, nearly loses her virtue to a musician aboard an ocean-going boat, and is saved in time by Carey. Realizing that he is the man for her, she settles down into an experimental marriage.

1923

The Huntress

The Huntress 1923

1

Bela, reared by Indians, learns that she is a white orphan and runs away from the Indian village to avoid marrying a brave from the tribe. She determines to marry land prospector Sam Gladding, who resists her advances but later falls in love with Bela when an Indian sage gives him some advice.

1923

Twinkletoes

Twinkletoes 1926

7.00

"Twinkletoes" Minasi wants to be a great dancer like her deceased mother. Twink meets Chuck Lightfoot, a noted prizefighter, who falls in love with her at first sight. She tries to avoid falling in love with Chuck, whose wife, Cissie, is a drunken harridan and more than a little bit spiteful. Meanwhile, Twink has secured a job in a singing-dancing act in a Limehouse theater, under the auspices of Roseleaf, who has more than just a protective interest in the girl. The jealous Cissie discovers that Twink's sign-painting father also has a night job as a burglar, and she turns him into the police. While a big success dancing on the stage, the arrest of her father has left her somewhat down in the dumps, and she decides to toss herself into the Thames. Possibly, the now-free Chuck, since Cissie has been killed in an accident, might come along and rescue her.

1926