Mandala Pictures

Eva’s home is a small hill called Birdhill on the outskirts of Bratislava. During her childhood, it was still covered with historic vineyards of Maria Theresa and forest; today’s reality is cranes and excavators. In her film, she gets to know its current inhabitants and discovers that each of them lives and dreams a slightly different version of this charismatic place. Even though they live on the same hill, they cannot come together to set limits on the construction that is transforming their home unrecognizably, ruthlessly and at a breathtaking pace.

In her documentary on Hungarian-Slovak relations, Vladislava Plancíková focuses on the word "felvidék", which refers to the now non-existent northern part of Austro-Hungary. In a personal collage consisting of the stories of members of her Slovak-Hungarian family and of visual references to historical events, she follows the eventful and today often taboo history of the post-war fate of Hungarians on Slovak soil. The abstract topic grabs our interest not only through the witnesses' testimony, but also by using thre novel technique of animating real objects, including a number of contemporary and modern photographs.

In the back room of a flower shop, Tomi, Rasto and Mižu are digging a tunnel in order to break into the safe of the National Bank. After heavy rainfall, the underground maze gets submerged by water and they are forced to stop working.