Love Must Love 1968
A love story, as it happened, filmed entirely by the lovers themselves. A joyful affirmation of peace, harmony, and beauty.
A love story, as it happened, filmed entirely by the lovers themselves. A joyful affirmation of peace, harmony, and beauty.
Through the veils of multiple exposure at an "Acid Test" party in San Francisco (toward the end of "He's Here Now" ) one might catch a brief glimpse of Ken Kelsey and Neal Cassidy. During those years, when picking up processed film at Multi-Chrome labs in San Francisco, I would sometimes run into and chat with another hero, the great filmmaker Bruce Baillie, one of the original founders of Canyon Cinema.
Originally an 8mm film with hand-painting which was blown up to 16mm and hand-painted again before multiple printings with several optical manipulations. A mandala of ever changing configurations, both angelic and demonic, to be seen as an evanescent phenomenon.