A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.
Galia, a young 27 year old woman injured in the bombing of a bus in Jerusalem, will start searching for the man who saved her life. A journey that will reveal to her an unsuspected truth.
Ilan Ben-Natan is a man on his sixties and a well-known professor of astrophysics at the University of Haifa. He is married with Naomi, a 28 years old, attractive book illustrator. Inclined to suspect, he finds out her wife's betrayal and then face his wife's lover, Oded Safra, a painter and a filmmaker, younger than him. During the argument, the scientist kills his rival and takes away the corpse in the boot of his car. With the complicity of his 80 years old mother, Ilan buries the man in a hole just dig in the cemetery. After a series of casualties, the corpse is then found and the commissioner Anton Karam, an old friend of the professor, starts the police investigation. When every signs seems to lead to the discovery of the assassin, an unexpected event will call every element into question again.
Roman returns to the land near the Ukrainian border he has just inherited from his grandfather. Fully decided to sell this vast but desolate property, he is warned by the local cop that his grandfather was a local crime lord and his men will not let go of the land - and their smuggling business - without a fight.
In a small town in Greece, when amorous passion meets with greed money, dead bodies start pilling up and "Sleeping Beauty" Olga will never know the horrors she has been spared of.
In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?
Kamel, a young Bedouin, is a proud security guard at the Be’er Sheba central bus station. When the Israeli government threatens to tear down his settlement he decides to act. Kamel comes up with a plan to stage a bomb attack, which he will then prevent from happening, making him the hero of the day, hopefully saving his settlement and earning him the respect he's so desperately yearning for.
Muhammad, a rejected boy from the fringe of society, floats through the streets of a filthy city, exposed and desolated, until he meets Gurevich; a lone rover who rides his motorcycle into the bowels of the city, through the shadows of the back alleys, sharpening the knives of butcher shops and gourmet restaurants. Stubborn and tenacious, the boy forces his way under the man's wing. Within this hypnotic urban hell, what starts as an unstable and hesitant apprenticeship evolves into a struggle for self-control.
This human drama centers around two loner Russian soldiers who are caught smuggling arms and consequently arrested. The two characters do not want to lose their honor as soldiers even though they have committed a crime considered unforgivable in military society and want go through an honorable military trial. The military is not at all concerned with their wishes, and pushes to get them tried as civilians. This causes conflicts that send the story towards an unexpected direction.
