Aurora Dominicana

Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.

Set in an upper-class neighbourhood of the Dominican Republic, La Hembrita is an unsettling portrait of a middle-aged woman, Dominique, and her relations with family, servants and entourage.

Ramin flees from persecution in Iran and ends up living in the limbo of exile, far from everything he knows, in the tropical port town of Veracruz, Mexico. There his nostalgia and melancholy are confronted with new friendships, while he starts to rediscover his own desires.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

A French woman of African descent manages to escape after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where she is taken in by a group of children. By becoming their protégée and maternal figure, she will see her destiny change inexorably.

Miriana “Miwi" awakens at midnight to find out her sister Juliana had an accident. We don't have more information, just the vertiginous impulse of Miwi to take some food, money, a cell phone and start the car in order to accompany her sister on a trip where she will find some clues about what happened. We view the history from Miwi's point of view while we found out the events that occurred sharing with her the pain and bewilderment.

Romero, a retired fisherman and a forgotten hero by the community, lives isolated in his home, surrounded by ghosts of the life he couldn't have, spirits that materialize before him as his real family. Alcoholic and schizophrenic, surviving on a daily basis. But deep down he feels the time has come to regain what he lost several decades ago, when he brought the oil curse to his own island, the lush Ciudad del Carmen. At the same time at the mysterious Estero Pargo, the goddess Ixchel has been reborn and seeks to mate with humans in order to continue the cycle of life.

Following a suicide attempt, 19 year old Lito travels from Monterrey to Querétaro to visit his 20 years old cousin Koko; where he joins his group of friends with the intention of selling drugs to pay for a weekend trip to the beaches of Michoacán. Among psychotropic pills, LSD and mushrooms; among improvised friendships and trips to nature, a bond is created reinforcing their friendship; while Lito seems to find the path towards reconciliation.

Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.

In a small village on the edge of the war between the military and the cartels, a little boy escapes to the forest to plead to the gods of nature for his disappeared mother's safe return.

Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.

Jean Remy is a Haitian man struggling to find employment in Dominican Republic. Confronted with rejection and discrimination in the city, he sets off to try his luck in the countryside. Imbued with a naturalistic grace, this deeply sympathetic portrait speaks eloquently to the trials of humanity.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.