The movie is based on the true story about a group of children, barely teenagers, who joined Yugoslav Partizans after losing their families in WW2. At first, Partizans want to get rid of them, but later they are joining combat ranks. Among them, Bosko Buha would become a legend because of his skill in destroying enemy bunkers.
Partisans attack a column of hundred german trucks cisterns, that carry fuel to the front. However, their action is difficult, as Germans have chained Soviet prisoners to the driving wheels. The mission is to stop and destroy the column and save the lives of the prisoners.
Young Belgrade playboy, spoiled child of a rich family, changes for the better after spending some time in the army.
A small group of extreme Albanian nationalists are hunted by Yugoslav security services.
The peace of a small fishing village is shattered by the coming of a young, and stunningly beautiful, wife of a local guest-worker. She intends to live in her father's house, which in the mean-time became a pub. From that moment her revenge begins, toying with to people, their passions and interests.
Two themes arise from the story, themes that are interlocked: the theme of love and of man's eternal submission to traditional symbols. The director Živko Nikolić continues his movie saga of human nature. Both themes develop the mythical idea of temptation. It is basic human relation: from the intimate to the families' vying with each other.
This is a movie about the start of people's uprising in Montenegro in World War II. After the capitulation of the Yugoslav Royal Army in April 1941, the Italians managed to infiltrate their puppet regime in Montenegro. However, people dissatisfied with the new authorities, on July 13, 1941 decided that the Communists led start to fight for freedom.
A pretty girl arrives on a small island on a dark and stormy night. She becomes an excuse for the turbulence and evil that occurs when one man forgets his dignity and becomes a beast.
They meet in Yugoslavia. Katharina, daughter of a Yugoslavian immigrant worker, has grown up in the Federal Republic of Germany. She is a confident, energetic career woman who has managed to work her way up to become a successful television journalist. She goes to visit her parent's country, to do a story about the children of immigrant workers in their home country. Although she says she doesn´t need a "home" any more, even she feels strange in her own country. Peter is a rather "untypical" sort of man: a dreamer, a thinker. He has given up his steady job as a composer for advertising films and is divorced. He goes to Jugoslavia to find something out about the past. He travels to the places where his father was stationed during the Second World War.
The first Yugoslav Partisan air force unit. Loosely based on historical facts.
Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shot, but missed on purpose.
Story of a 12 year old orphaned boy who takes to wandering about the countryside after the death of his drunkard father.
In an industrial town one business firm stands out with good management. Thanks to the agile director Todor, his successful policy of "World breakthrough" the whole town look forward to progress and incredibly quick prosperity in 1966. The director's driver Milutin is the center of absurdly dramatic relations in which base manipulation dominates. His lonely, consequent, and reasonable admiration for Todor, his honesty and goodwill bring him into situations to which he can't and won't adapt to, nor will he quit...
In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures
In February of 1918, in Boka Kotorska, the greatest uprising of Austrian sailors broke out. Forty warships, with 6.000 sailors, rebelled against the Austrian Monarchy. The uprising was bloodily crushed after two days, and it's leaders shot.
The three parts of the documentary are connected by the scenery of the Boka Kotorská bay and the human will on a mountain trail. Three men hike along the narrow paths on steep slopes above the coastline. The camera follows their steps and without words or music, the film asks about the purpose of their walk. A man's paces are counted by the tower clockwork. In the Watchman episode, the second man descends to the coast to night-watch a bankrupt factory. In Smoke, the third man sets fire to the last inhabited house in a mountain village.
A big modern house has only two inhabitants: an elderly couple, humble peasants. They seem rather lost and not too much accustomed to such a space. They are waiting for somebody. The objects and sounds in the house help us realize that "somebody" means: the son, daughter-in-law and grandson, living in France... Coloring Easter eggs (Orthodox folk custom) for all of them, knitting the sweater for grandson, waiting. Will the awaited ones come...!? Eternal, metaphysical waiting.
Documentary about country dwellers in Montenegro. When the sons come back to visit the family, they must cross a deep ravine to get to their parents, living in their idyllic setting. Instead of a bridge, the locals have constructed something more inventive.
Short film about the earthquake in Montenegrin littoral.
In the film, we see at first glance a harmless pet, a Great Dane-Harlequin breed. Then we see the man, the trainer, and we hear him order several times: Slaughter it, slaughter it! In the end, the dog becomes an obedient executioner, and it kills bloodthirsty. At that time, a bloody war was being prepared, and different, far more sinister trainers appeared: national leaders. They trained the brain of the Balkan man to kill and slaughter... The film is not about dogs, it is not a document or a testimony, but a metaphor about the transfer of evil from ideologues to executors.
