Inland Film Company

Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.

World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel.

During one spring day, nine people dreaming of life or running away from it, plus a dog on the run, either meet, pass or collide on a certain road. Sisters Seija and Sanna are on their way to the airport because Seija is moving to Canada. Silja and Ville are mourning the anniversary of their dead daughter. The comedy duo is off on a tour after a long break, the paramedics are looking forward to a quiz night and Anita is finally ready to scatter the ashes of her deceased loved one in the lake. A strange man hitchhikes along the highway.

The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into the house of Melanie and her husband Aleksandr and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Aleksandr, full of hope for a free Latvia and a better tomorrow.

On the verge of her marital life, a young woman makes a journey into the night to find out why she has lost her heartbeat and turned golden.

Patrolman Loyan tries to find his place in the new police department while keeping his friend Warsame, newly released from prison, on the right track. Loyan's ambition is to get into detective training, but his supervisor Jokisalo thinks he'd be better off patrolling the familiar neighbourhoods with his partner Johanna. The patrol gets down to business when they start investigating what looks like a suicide. Antero Päiviö, a professional criminal and racial bigot involved in drug trafficking, has jumped from his balcony. The man who was first pronounced dead suddenly wakes up and is taken to hospital. Loyan finds it hard to believe the man's story and decides to find out the truth at any cost. As the plot unravels, it's hard to know who to trust anymore, when Warsame seems to be up to something behind Loyan's back.

Living in the Herttoniemi suburb in Eastern Helsinki, 12 year olds Antti and Muhis have been best friends since kindergarten. Muhis is from a Somali background, and the boys’ friendship is put to test when a local racist lays his hands on Muhis. A struggle ensues, and Antti accidentally shoves the man off of a cliff, into the sea. The boys swear never ever to tell anyone and to take their secret to their graves. Changes is a life-affirming film about friendship, growing up, tolerance and courage.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

The many problems of marriage and relationships may sometimes condense into something as trivial an affair as parking a car

StoryTent was set up in market places around Finland to collect stories from random passers-by without any thematic limitations imposed by the film-makers. Thus, something unexpected happened, personal stories became stories within a story.

A car mechanic about to retire and struggles to know herself-