Just out of jail, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.
Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.
Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.
After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.
During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.
In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.
A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.
Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.
Passionate for climbing, Allegra is victim of a terrorist attack, in which her friends lose their lives. She isolates herself after crushing fear towards people and a burning desire for revenge start devouring her. Her beloved ones are helpless. In order to be able to go back enjoying her life, she will have to face her inner struggles. In doing so, Arad – a young refugee from Middle East – crosses her path. Allegra’s greatest challenge will be regaining trust, especially when the element of diversity is involved.
As a solar storm unfolds, causing power surges and blackouts, a storm of emotions rages within Regina, a spinster referred to as Fräulein, when a childlike sexagenarian checks into her hotel. What should be one night becomes a stormy coexistence all its own.
Benedetta, an obese fifteen-year-old yearning for attention, lives in a tawdry province in the south of Italy, emblematic of her inner landscape where everything could be and yet is not. She falls in love with Armando, aka Amanda, a young transvestite who is attracted to the young girl's innocence and begins an unhealthy relationship of mutual dependence with her. Amanda runs a carousel at the fair across the street from Benedetta's house, and the girl is magnetically drawn to this colorful and exciting world. But Amanda not only runs the carousel, she's also a call boy and sells drugs. Between intoxication and family rebellion and the discovery of sex - a great disappointment - she completes her rite of passage into adulthood.
Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.
As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.
Carmela, don Gregorio, Gabriella and Lorella have never met but they have a lot in common. In the mid 60's, at the peak of the great migratory wave, alone or together with their families, they arrived in Switzerland, where they lived for a more or less lengthy period. Four different stories that speak of hopes, dreams, and solidarity. But they also tell of closure, xenophobia, clandestinity and exploitation.
