Fugue 2018
Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and daughter.
Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and daughter.
The Inguri River forms a natural border dividing Georgia from Abkhazia. One of the spring floods has created a little island in the middle of the river, as if made for the cultivation of corn. At least, this is the belief of an old peasant, whose sunburned face resembles the landscape he has trodden for dozens of years.
Three tales of three people who have a lasting effect on one another. A young writer whose career is skyrocketing finds himself in a stormy marriage. He divorces his wife after the death of their daughter, shuts himself from the outside world and drinks himself to death over a twenty-year period.
A little girl and a socialist orphanage. It is a strict children’s institution. How to overcome fears, insecurity and loneliness? To do this, the girl creates another self to talk to and argue with. And, of course, the dream of America where everything is beautiful and good. Where her father lives and waits for her. A girl and her foster family. There’s plenty of everything, but it doesn’t feel right. Emma’s trials don’t end there. Again and again, she must find the strength to hope, the stamina to live.
After being one of the most successful filmmakers in Europe in the sixties, Vojtech Jasny (Czech Republic, 1925) lives in a small apartment in New York. For Jasny, life and cinema are inseparable concepts. By visiting friends who still live in Life and Film Jasny first person will have their own history and some decisive events in his life: the Nazi invasion and subsequent Soviet invasion of Czechoslovakia, exile and his arrival in New York years later.
Dreaded serial killer Peter Kurten voluntarily turns himself over to the authorities. A young lawyer, eager to prove Kurten's mental derangement, agrees to defend a man who terrorized Germany between 1929 and 1931. In studying the case and meeting with the intelligent, cold-blooded manipulator, the young idealist's values become warped.
Two childhood friends get a long-awaited opportunity to found and run a seafood restaurant together. When one of them comes out of the closet as a trans woman, their friendship gets tested.
A young couple, physiologist Agla and filmmaker Gunnar, wake up at a glacier drilling camp only to find the camp mysteriously abandoned and their co-workers gone. When searching for the lost team they realize they’re up against an unknown deadly force.
Dear Ones is an allegorical story about people who need to make real contact with their family and friends. Piotr is looking for a purpose and order in his life. To find it, he turns to magic, religion, and psychology. Unexpectedly, his father calls him and asks Piotr to come to his family home immediately. Piotr arrives at the same time with his sister, Marta, whom he hardly remembers and does not recognize. The father called for Piotr and Marta because their Mother went missing. Family members who meet for the first time after many years begin to search together. The facts they discover about their mother make them re-define what kind of family they are.
Gudjón has led a safe life. Suddenly faced with retirement and growing older, he is forced to take a good, hard look at his marriage. A dramatic but often lighthearted story about life at a crossroads and the meaning of it all.
A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.